The story line is simple: A bear gets on a train in late autumn, drawn by the smell of grain in its hoppers, and after a prolonged snack takes a prolonged snooze in the bowels of the hopper as the train crisscrosses the continent until springtime. Lawson’s words have a lovely elemental temper, spare, chiming, and timeless. “Bear paid no attention. He slept as the train rocked and rolled out of town. He slept through the mountains. He slept through the foothills. He slept through the prairie.” The train and the landscapes it runs through are beautifully rendered by Deines, with an impressionistic sense of place harnessed by the implacable energy of the locomotive and its train of cars. Unlike the tree in the forest, the bear does not go totally unnoticed; a boy named Jeffrey sees the bear get on the train and shouts a warning to get off; each time the train pulls through his home range that winter, Jeffrey hollers to the snoozing bear, and his words become as talismanic as the bear’s act of hibernation. When the bear lumbers off the train come spring, shuffling into the wild without a look back, all seems quite right with the world. (Picture book. 3-8)
Pub Date: Sept. 1, 1999
ISBN: 1-55074-560-3
Page Count: 32
Publisher: Kids Can
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1999
Mollel (Kitoto the Mighty, 1998, etc.) skillfully reshapes this African tale about a magical bird that defeats a cow-stealing monster. Mariamu’s family can’t understand why their cattle are disappearing. One day, when clearing a field to grow food, Mariamu hears a magical bird singing. The bird tells her if she will spare the land (and the bird’s eggs), the bird will help restore milk to Mariamu’s family. Mariamu agrees, and the magical bird brings back the original field, and fills all the jugs and gourds with milk. Then Mariamu’s parents get greedy, capturing the bird while visions of an endless milk supply dance in their heads. Mariamu, of course, rescues the bird, and it is so grateful that it leads the girl to the monster who has stolen all the cows; together they rescue the cattle. Mollel includes words in Swahili and some excellent sound effects: “birim” for the sound of empty gourds rolling, “gulum” for the sound of swallowing. This fleshing out of the old tale and Litzinger’s spry, expressive watercolors make a vibrant presentation, ideal for noisy story-hour reenactment. (Picture book/folklore. 5-8)
Pub Date: Feb. 22, 1999
ISBN: 0-395-82908-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
A weak story that has echoes of familiar folktales, but no resonance. A selfish crocodile who lived “deep in the forest” commands all the other animals to stay away from the river, which he considers his. “I’ll eat you up!” he warns. The animals have to walk “for miles out of their way” to find drinking water. One day the crocodile has a toothache, and when the others are too frightened to get close, a mouse pulls the tooth and promises to help him in the future. Consequently, the crocodile invites all the creatures to enjoy the river, although the connection between having a friend and declaring open house is left vague. The illustrations have a greeting-card charm, with 13 animals trudging off for water bearing the same pop-eyed, frowning expression. When the crocodile groans in pain, the animals don’t look toward the source of sound, but up in the air at the words “GROAN . . . GROAN.” (Picture book. 3-7)
Pub Date: Feb. 1, 1999
ISBN: 1-888444-56-8
Page Count: 28
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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