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BRIDE OF SLUG MAN

From the Kate Walden Directs series , Vol. 2

Smart, funny, and slick.

A preteen filmmaker mounts her second feature.

Seventh-grader Kate Walden is the talk of the town. Her directorial debut, Night of the Zombie Chickens, premiered to positive notices at the local multiplex, and everyone in her class wants to be a part of her second feature. When a cool New York City boy named Tristan moves in and starts his own film project, Kate finds most of her talent pool drained by Tristan's flashy premise. Can her slug-based sci-fi romance compete with his film-noir pastiche? Populating her novel with smart kids navigating tricky social situations, Mata crafts a nifty entertainment for the post–Mean Girls generation. Friendships are strengthened and crushes blossom as Kate completes her film, and readers will delight at the drama behind the scenes just as much as in the business involving Kate's movie. Shining brightest of all is Kate herself, a character so often mistreated in books such as these. Kate isn't a know-it-all film nerd or a clueless amateur with stars in her eyes. The author perfectly captures a girl who is young, ambitious, smart, but still willing to learn about her craft and how it affects the relationships she has with those around her. Unfortunately the book overstays its welcome by a few pages, supplying an emotional cliffhanger that practically demands that readers pick up the next installment. Hopefully the author can keep the good times rolling. 

Smart, funny, and slick. (Fiction. 10-14)

Pub Date: May 26, 2015

ISBN: 978-1-4231-9460-6

Page Count: 288

Publisher: Disney-Hyperion

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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GHOST

From the Track series , Vol. 1

An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 19, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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