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THE MAN WHO KNEW TOO MUCH

A MORAL TALE FROM THE BAILA OF ZAMBIA

While working in the fields, a mother lays her child in the shade of a tree. When the babe begins to cry, an eagle swoops down and comforts him, much to the astonishment of the mother, who had thought eagles were fierce. Though her intuition tells her to keep the marvel to herself, she confides the events to her husband, who thinks she's been out in the sun too long. He goes with her to the field, witnesses the remarkable encounter, and, remembering ``how their beaks, like knives, tore the throats of antelope, causing the blood to gush forth,'' shoots an arrow at the bird. The eagle dodges, and the arrow strikes and kills the child. Lester (The Last Tales of Uncle Remus, p. 70, etc.; John Henry, see above) informs the reader that the man unleashed murder into the world ``because he thought he knew what he had never seen and never experienced.'' Hold on: This father had seen eagles gut antelope—why wouldn't he fear for his child? And ``murder'' might be a bit strong in this context. Jenkins's rich oil paintings keep this story from crash landing. They're powerful minimalist landscapes with figures on the surrealist edge—paintings that have you turning the pages for more. (Folklore/Picture book. 6-10)

Pub Date: Oct. 17, 1994

ISBN: 0-395-60521-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 1994

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HOW TO WRITE A STORY

A lovely encouragement to young writers to persist.

This follow-up to How To Read a Story (2005) shows a child going through the steps of creating a story, from choosing an idea through sharing with friends.

A young black child lies in a grassy field writing in a journal, working on “Step 1 / Search for an Idea— / a shiny one.” During a walk to the library, various ideas float in colorful thought bubbles, with exclamation points: “playing soccer! / dogs!” Inside the library, less-distinct ideas, expressed as shapes and pictures, with question marks, float about as the writer collects ideas to choose from. The young writer must then choose a setting, a main character, and a problem for that protagonist. Plotting, writing with detail, and revising are described in child-friendly terms and shown visually, in the form of lists and notes on faux pieces of paper. Finally, the writer sits in the same field, in a new season, sharing the story with friends. The illustrations feature the child’s writing and drawing as well as images of imagined events from the book in progress bursting off the page. The child’s main character is an adventurous mermaid who looks just like the child, complete with afro-puff pigtails, representing an affirming message about writing oneself into the world. The child’s family, depicted as black, moves in the background of the setting, which is also populated by a multiracial cast.

A lovely encouragement to young writers to persist. (Informational picture book. 6-10)

Pub Date: July 7, 2020

ISBN: 978-1-4521-5666-8

Page Count: 36

Publisher: Chronicle Books

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE DOG THAT DUG FOR DINOSAURS

This easy reader for children reading at the fluency level recounts the story of a girl named Mary Ann Anning and her dog, Tray. They lived on the coast of England in the early 1800s, although the time frame is given only as “a long, long time ago.” Mary Ann and Tray became famous for their discoveries of fossils, including dinosaur bones. They discovered the first pterodactyl found in England, and the name was assigned to their fossil. The story focuses a little too much on the dog, and the title misses a great opportunity to completely acknowledge a girl accomplishing something important in the scientific world, especially in a much earlier era and without formal training or education. Despite this drawback, both Mary Ann and Tray are appealing characters and the discovery of the fossils and subsequent notice from scientists, collectors, and even royalty is appealing and well written. Sullivan’s illustrations provide intriguing period details in costumes, tools, and buildings, as well as a clever front endpaper of fossil-strewn ground covered with muddy paw prints. (Easy reader. 6-8)

Pub Date: July 1, 2004

ISBN: 0-689-85708-X

Page Count: 32

Publisher: Aladdin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2004

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