Shaniqua, Bruce, Mrs. God, and, of course, God, return after What a Truly Cool World (1999), to reveal the answer to a question children are bound to wonder about. When the world was new, ladders joined heaven and earth, and folks visited back and forth. However, that didn’t work out—because of the snakes. God thinks the snakes are lovely—“like watching silence dance,” he says—but people kill them because they are afraid, and creatures eat them because they think they’re called snacks. God sends Bruce to use the computer in the Library of Everything That Is Going to Be to find snake poison. When so armed, though, the snakes drive everyone into heaven, overrunning God and Mrs. God’s miniature golf game and wreaking havoc. Mrs. God (her name’s Irene) and Shaniqua, the Angel in Charge of Everybody’s Business, talk to the snakes to resolve the problem (“Thank you for asking what it’s like to be a snake. No one ever did”). Turns out Mrs. God is a bit miffed at being left out of the original creation effort, so she and Shaniqua set about rearranging the snakes, their poison, and everything else—music doesn’t seem to calm these savage breasts. But God and Mrs. God know that those on earth have to work out their own problems, and so all the ladders are pulled up but one (Shaniqua needs a way to know everybody’s business, after all). The language is funny and true, the pictures practically chortle off the pages, and children will find the answers not only to the title question, but to why stars fall and hawks soar as well as to what the Zero Commandment is. Furthermore, they’ll always be looking for that one last ladder—after all, it leads straight to heaven. (author’s note) (Picture book. 3-9)
Pub Date: Oct. 1, 2002
ISBN: 0-439-17871-1
Page Count: 40
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2002
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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