A refreshing homage to the power of intergenerational relationships and potent alternative to policing.
This picture book based on Petrus’ poem, written in the wake of the 2014 shooting of Michael Brown, asks: What if grandmothers replaced the police who patrol American neighborhoods?
Petrus and Uroda paint a lively, upbeat, attitude-filled portrait of matriarchs cruising neighborhoods in “badass” vintage squad cars, playing awesome Afrocentric music, and picking up kids getting up to no good. A grandma peering over her glasses can make a kid “catch shame,” and rather than locking them up, grandmas would take kids home, feed them, cook and meditate with them, help them with homework, and love them up. Taking readers into Black kitchens, gardens, bedrooms, and other loving spaces, this book offers a village solution to raising Black children that excludes incarceration. In one scene, a white-haired grandmother with brown skin gazes into the eyes of a brown-skinned child wearing a colorful head wrap, and as she holds the child’s cheeks, she acknowledges “the light in you with no hesitation” because “she loves you fiercely forever.” Unconditional love and community-based care lie at the heart of this radical and linguistically delicious picture book that invites conversations about relationships in communities of color. Uroda’s luminous illustrations capture the verve, courage, and sensuality of grandmas (who sometimes look like grandpas—a nod to gender inclusivity and complex grand-families); the richness of Black and brown communities; and the resources they possess to heal their own wounds. (This book was reviewed digitally.)
A refreshing homage to the power of intergenerational relationships and potent alternative to policing. (Picture book. 7-14)Pub Date: April 4, 2023
ISBN: 978-0-593-46233-1
Page Count: 32
Publisher: Dutton
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...
Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).
Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.
Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)Pub Date: Sept. 1, 1998
ISBN: 978-0-374-33265-5
Page Count: 233
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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