by Justin E.H. Smith ‧ RELEASE DATE: March 22, 2022
A worthy critique of a technology in need of rethinking—and human control that seeks to free and not enchain.
A professor of history and philosophy of science casts a stony eye on the liberatory promises of the internet.
When most people talk about the internet, they’re really talking about the tiny slice that is social media. It’s a “reverse synecdoche, the larger containing term standing for the smaller contained term,” writes Smith by way of introduction to his central argument. These social media, he argues, are fundamentally enemies of human liberty. Employing that reverse synecdoche, he shows how the internet “has distorted our nature and fettered us” by, among other things, turning users into addicts (in the strictest terms) and serving as a surveillance device that often limits our political freedoms. We are bent by our technology, unable to concentrate on reading and no longer remembering anything without Google’s help. Of course, as Smith points out, this is a charge leveled against previous information technologies. When Gutenberg printed the Bible, people could simply read it rather than having to memorize it, which many critics at the time considered to be a diminution of human intelligence. Smith is not quite so doctrinaire about print, but he makes a good case that the computer of Gottfried Leibniz’s dreams more than 300 years ago was not the personality-shaping machine of today. Leibniz imagined something whose workings, in modern terms, “can be performed without ‘strong AI,’ without any internal life or experience of all the calculative operation it performs.” Leibniz further held that human thought is an instrument of excellence, whereas those who shape algorithms today seem not to think much about human thought (or excellence) at all. The best parts of this thoughtful book-length essay link those algorithms to the “gamification of social reality,” of which a strong example is the down-the-rabbit-hole entity called QAnon.
A worthy critique of a technology in need of rethinking—and human control that seeks to free and not enchain.Pub Date: March 22, 2022
ISBN: 978-0-691-21232-6
Page Count: 216
Publisher: Princeton Univ.
Review Posted Online: Dec. 13, 2021
Kirkus Reviews Issue: Jan. 1, 2022
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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