A seriously satisfying, worthy, and well-crafted sequel.

DEATHLESS DIVIDE

From the Dread Nation series , Vol. 2

Two young black women kick zombie ass from the post–Civil War East to the late-1800s American West. 

This sequel to Dread Nation (2018) is told from the perspectives of the irascible Jane McKeene and her unlikely best friend, Katherine Deveraux, after they escape the unholy hell of Summerland, a social science experiment run by a maniacal minister through which black people were forced to protect whites from attacks by throat-chomping, undead shamblers. Alternating between Jane’s haunted life with its Shakespearean overtones and Katherine’s more devout but no less deadly existence, each chapter takes readers farther west, with hopes resting on happy endings for the duo in California. The pacing is steady throughout the first part of the story, building and exploding into a gut-wrenching plot twist halfway through. Then it’s a glorious race to the finish, with compelling moral examinations of human experimentation and killing for hire to fuel reader interest. At its core the book delves into a spectrum of black girls’ and women’s experiences, kinship, and necessary resilience. That focus never strays even as Ireland touches briefly on social tensions between Native and black characters along with passing commentary on immigration and relations between Chinese families and other communities. The imaginative integration of real-world historical players into an equally messy, gruesome chronology artfully developed by the author makes this stand out.

A seriously satisfying, worthy, and well-crafted sequel. (author’s note) (Historical fiction/horror. 14-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-257063-5

Page Count: 560

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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Busy, busy, busy…with portents of doom.

CHAIN OF GOLD

From the Last Hours series , Vol. 1

Clare’s (Ghosts of the Shadow Market, 2019, etc.) latest is set in the Shadowhunter world in the 20th century’s first decade (with frequent flashbacks to the previous one).

Teenage offspring of the Herondales, Carstairs, Fairchilds, and other angel-descended Nephilim continue their families’ demon-fighting ways amid a round of elegant London balls, soirees, salons, picnics, and romantic intrigues. James Herondale, 17-year-old son of Will and Tessa, finds himself and his “perfectly lethal dimple” hung up between two stunning new arrivals: Cordelia Carstairs, red-haired Persian/British wielder of a fabled magic sword, and Grace Blackthorn, an emotionally damaged but (literally, as the author unsubtly telegraphs) spellbinding friend from childhood. Meanwhile, a sudden outbreak of demonic attacks that leave more and more Shadowhunters felled by a mysterious slow poison plunges James and a cohort of allies into frantic searches for both a cause and an antidote. Ichor-splashed encounters with ravening boojums and even one of hell’s own princes ensue—all leading to final hints of a devastating scheme to destroy the Nephilim in which James himself is slated to play a central role. Characters have a range of skin tones, but ethnic diversity adds no texture to the portrayals; there is a lesbian cousin who wears traditionally male clothing and two young gay men (one tortured, the other less so).

Busy, busy, busy…with portents of doom. (Fantasy. 14-18)

Pub Date: March 3, 2020

ISBN: 978-1-4814-3187-3

Page Count: 624

Publisher: McElderry

Review Posted Online: Jan. 23, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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