Langreuter and Dahle’s gentle story fails to cover any new ground, but readers will relate to Brayden’s experience and...

READ REVIEW

THERE'S NO ONE I LOVE LIKE YOU

In this German import, a bunny is convinced that living with his friends will be easier and more enjoyable than obeying the rules at home.

Late one morning, Brayden is reluctant to get out of bed, pick up his toys, wash his whiskers or play with his sisters. He grumbles to his mother, “I wish I could go live with my friends.…I wouldn’t have to do chores.” When his mother asks him if this is really what he wants to do, he picks up his backpack and leaves. All of Brayden’s friends’ families warmly welcome him, but no one scratches his ears “like Mommy does.” No place is exactly right: Missy Mouse’s house is too messy, with toys everywhere; Benny Badger’s family smells “a little funny” because they never wash up; Fipsi Squirrel’s home is too high up in the tree to climb. Cousin Pepi’s house seems perfect until Brayden gets “a curious lump in his bunny throat,…an odd tugging in his bunny tummy [and] a strange jabbing in his bunny heart.” Readers will immediately understand what is happening—he is missing his home and his mommy. Soon, Brayden returns, and Mommy Bunny lovingly welcomes him with a perfect scratch on his ears.

Langreuter and Dahle’s gentle story fails to cover any new ground, but readers will relate to Brayden’s experience and perhaps develop a better appreciation for the comforts and rules of home. (Picture book. 4-7)

Pub Date: Jan. 1, 2013

ISBN: 978-0-7358-4126-0

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

Did you like this book?

No Comments Yet

A culturally intricate slice of a lupine courier’s life.

¡VAMOS! LET'S GO TO THE MARKET

From the ¡Vamos! series

Little Lobo and his dog, Bernabé, journey through a Mexican mercado delivering diverse goods to a variety of booths.

With the aid of red words splattered throughout the spreads as labels, Raúl the Third gives an introduction to Spanish vocabulary as Little Lobo, an anthropomorphic wolf, leaves his house, fills his cart with objects from his warehouse, and delivers them to the market’s vendors. The journey also serves as a crash course in Mexican culture, as the images are packed with intertextual details such as food, traditional games, and characters, including Cantinflas, Frida Khalo, and Juan Gabriel. Readers acquainted with Raúl the Third’s characters from his Lowriders series with author Cathy Camper will appreciate cameos from familiar characters. As he makes his rounds, Little Lobo also collects different artifacts that people offer in exchange for his deliveries of shoe polish, clothespins, wood, tissue paper, paintbrushes, and a pair of golden laces. Although Raúl the Third departs from the ball-pen illustrations that he is known for, his depiction of creatures and critters peppering the borderland where his stories are set remains in his trademark style. The softer hues in the illustrations (chosen by colorist Bay) keep the busy compositions friendly, and the halftone patterns filling the illustrations create foregrounds and backgrounds reminiscent of Roy Lichtenstein’s pointillism.

A culturally intricate slice of a lupine courier’s life. (glossary) (Picture book. 4-7)

Pub Date: April 2, 2019

ISBN: 978-1-328-55726-1

Page Count: 40

Publisher: Versify/HMH

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Did you like this book?

No Comments Yet

THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

Did you like this book?

No Comments Yet
more