Langreuter and Dahle’s gentle story fails to cover any new ground, but readers will relate to Brayden’s experience and...

THERE'S NO ONE I LOVE LIKE YOU

In this German import, a bunny is convinced that living with his friends will be easier and more enjoyable than obeying the rules at home.

Late one morning, Brayden is reluctant to get out of bed, pick up his toys, wash his whiskers or play with his sisters. He grumbles to his mother, “I wish I could go live with my friends.…I wouldn’t have to do chores.” When his mother asks him if this is really what he wants to do, he picks up his backpack and leaves. All of Brayden’s friends’ families warmly welcome him, but no one scratches his ears “like Mommy does.” No place is exactly right: Missy Mouse’s house is too messy, with toys everywhere; Benny Badger’s family smells “a little funny” because they never wash up; Fipsi Squirrel’s home is too high up in the tree to climb. Cousin Pepi’s house seems perfect until Brayden gets “a curious lump in his bunny throat,…an odd tugging in his bunny tummy [and] a strange jabbing in his bunny heart.” Readers will immediately understand what is happening—he is missing his home and his mommy. Soon, Brayden returns, and Mommy Bunny lovingly welcomes him with a perfect scratch on his ears.

Langreuter and Dahle’s gentle story fails to cover any new ground, but readers will relate to Brayden’s experience and perhaps develop a better appreciation for the comforts and rules of home. (Picture book. 4-7)

Pub Date: Jan. 1, 2013

ISBN: 978-0-7358-4126-0

Page Count: 32

Publisher: NorthSouth

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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A quiet story of sharing with no strings attached.

EXTRA YARN

A little girl in a town of white snow and soot-blackened chimneys opens a small box and discovers a never-ending gift of colorful yarn.

Annabelle knits herself a sweater, and with the leftover yarn, she knits one for her dog, and with the yarn left over from that, she knits one for a neighbor and for her classmates and for her teacher and for her family and for the birdhouse and for the buildings in town. All and everything are warm, cozy and colorful until a clotheshorse of an archduke arrives. Annabelle refuses his monetary offers, whereupon the box is stolen. The greedy archduke gets his just deserts when he opens the box to find it empty. It wends its way back to Annabelle, who ends up happily sitting in a knit-covered tree. Klassen, who worked on the film Coraline, uses inks, gouache and colorized scans of a sweater to create a stylized, linear design of dark geometric shapes against a white background. The stitches of the sweaters add a subdued rainbow. Barnett entertained middle-grade readers with his Brixton Brothers detective series. Here, he maintains a folkloric narrative that results in a traditional story arc complete with repetition, drama and a satisfying conclusion.

A quiet story of sharing with no strings attached. (Picture book. 4-7)

Pub Date: Jan. 17, 2012

ISBN: 978-0-06-195338-5

Page Count: 40

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: Nov. 1, 2011

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A culturally intricate slice of a lupine courier’s life.

¡VAMOS! LET'S GO TO THE MARKET

From the ¡Vamos! series

Little Lobo and his dog, Bernabé, journey through a Mexican mercado delivering diverse goods to a variety of booths.

With the aid of red words splattered throughout the spreads as labels, Raúl the Third gives an introduction to Spanish vocabulary as Little Lobo, an anthropomorphic wolf, leaves his house, fills his cart with objects from his warehouse, and delivers them to the market’s vendors. The journey also serves as a crash course in Mexican culture, as the images are packed with intertextual details such as food, traditional games, and characters, including Cantinflas, Frida Khalo, and Juan Gabriel. Readers acquainted with Raúl the Third’s characters from his Lowriders series with author Cathy Camper will appreciate cameos from familiar characters. As he makes his rounds, Little Lobo also collects different artifacts that people offer in exchange for his deliveries of shoe polish, clothespins, wood, tissue paper, paintbrushes, and a pair of golden laces. Although Raúl the Third departs from the ball-pen illustrations that he is known for, his depiction of creatures and critters peppering the borderland where his stories are set remains in his trademark style. The softer hues in the illustrations (chosen by colorist Bay) keep the busy compositions friendly, and the halftone patterns filling the illustrations create foregrounds and backgrounds reminiscent of Roy Lichtenstein’s pointillism.

A culturally intricate slice of a lupine courier’s life. (glossary) (Picture book. 4-7)

Pub Date: April 2, 2019

ISBN: 978-1-328-55726-1

Page Count: 40

Publisher: Versify/HMH

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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