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45 POUNDS (MORE OR LESS)

While lessons are offered, they are deliciously coated in readable prose and a compelling plot.

Ann has a weight problem and a mother problem—and the two issues are likely connected.

A rising high school junior, Ann has fought (and lost) the weight battle since early childhood. Getting hilariously stuck in a too-small dress she tries on at the mall surely proves it. She clearly has a dysfunctional relationship with food, eating way too much whenever she’s troubled—which is to say quite often—and blithely rationalizing her behavior. Unwisely determined to lose 45 pounds in two months in order to look good in a bridesmaid’s dress when her aunt marries her girlfriend, Ann buys a diet program from an infomercial. Her account of suffering horrendous exercise videos and bad food is both funny and sad, and she falls off the wagon several times. She and her thin, driven mother don’t, at first glance, seem to have much in common. But when Ann sees her 4-year-old stepsister telling her teddy bear he’s too fat, she realizes both she and her mom have serious food issues that threaten her sister’s well-being. That recognition, presented in an authentic first-person voice, gradually paves the way for believable changes as Ann re-evaluates failed friendships, her own role in consuming secretly spiked drinks at a party, and the potential for a relationship with a nice—and attractive—guy.

While lessons are offered, they are deliciously coated in readable prose and a compelling plot. (Fiction. 12 & up)

Pub Date: July 11, 2013

ISBN: 978-0-670-78482-0

Page Count: 272

Publisher: Viking

Review Posted Online: May 14, 2013

Kirkus Reviews Issue: June 1, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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