Easy to read and strong on sibling devotion, with frustratingly mixed messages about personal responsibility.
A boy works desperately to keep his sick little brother safe.
Twelve-year-old Timothy has a probation officer, a court-appointed psychologist, and a yearlong sentence of house arrest. He also has a 9-month-old brother who breathes through a trach tube that frequently clogs. Heavy oxygen tanks and a suction machine as loud as a jackhammer are their everyday equipment. Timothy’s crime: charging $1,445 on a stolen credit card for a month of baby Levi’s medicine, which his mother can’t afford, especially since his father left. The text shows illness, poverty, and hunger to be awful but barely acknowledges the role of, for example, weak health insurance, odd considering the nature of Timothy’s crime. The family has nursing help but not 24/7; the real house arrest in Timothy’s life isn’t a legal pronouncement, it’s the need to keep Levi breathing. Sometimes Timothy’s the only person home to do so. His court sentence requires keeping a journal; the premise that Holt’s straightforward free-verse poems are Timothy’s writing works well enough, though sometimes the verses read like immediate thoughts rather than post-event reflection. A sudden crisis at the climax forces Timothy into criminal action to save Levi’s life, but literally saving his brother from death doesn’t erase the whiff of textual indictment for lawbreaking. Even Mom equivocates, which readers may find grievously unjust.
Easy to read and strong on sibling devotion, with frustratingly mixed messages about personal responsibility. (Verse fiction. 9-13)Pub Date: Oct. 6, 2015
ISBN: 978-1-4521-3477-2
Page Count: 304
Publisher: Chronicle Books
Review Posted Online: July 14, 2015
Kirkus Reviews Issue: Aug. 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers will definitely want to have, know or be Maggie’s brothers—but she herself proves to be no slouch when it comes to...
Nervous, home-schooled by her absent and much-missed mom and saddled with three adored older brothers—and a ghost—Maggie starts high school.
Largely but not entirely left by her doting upper-grade sibs (who had “first days” of their own) to sink or swim, Maggie starts off in lonely isolation but quickly finds two great friends in Mohawk-wearing, multiply pierced, exuberantly logorrheic classmate Lucy and her quieter (but also Mohawk-topped) brother Alistair. Simmering complications soon reach a boil as Maggie discovers that Alistair and her own oldest brother Daniel have some sort of bad history, and on a more eldritch note, a woman’s ghost that Maggie had occasionally seen in the nearby graveyard takes to floating into her house and right up to her face. Filling monochrome ink-and-wash panels with wonderfully mobile faces, expressively posed bodies, wordless conversations in meaningful glances, funny banter and easy-to-read visual sequences ranging from hilarious to violent, Hicks crafts an upbeat, uncommonly engaging tale rich in humor, suspense, and smart, complex characters.
Readers will definitely want to have, know or be Maggie’s brothers—but she herself proves to be no slouch when it comes to coping with change and taking on challenges. (Graphic fantasy. 11-13)Pub Date: Feb. 28, 2012
ISBN: 978-1-59643-556-8
Page Count: 224
Publisher: First Second/Roaring Brook
Review Posted Online: Jan. 3, 2012
Kirkus Reviews Issue: Jan. 15, 2012
PROFILES
A laudable attempt to address an unfortunately still-timely subject, this novel feels more like a Modernist experiment than...
In 1959 on a Civil War battleground tour, a white northern boy has his own prejudices shaken when he sees Jim Crow in action in a Joycean exploration that seems uncertain of its audience.
Bobby (of indeterminate age), his Civil War–obsessed older brother, Ricky, and their mother take the scenic route on the way to deliver the boys’ grandmother and her car to her home in St. Petersburg. Meanwhile, 9-year-old African-American Jacob leaves his sister and her husband in Atlanta to visit relatives in small-town Dalton, Ga., and he's a little unclear about proper behavior around whites. When a combination of stress over marital problems and unnecessary, abject racial terror causes Bobby’s mother to total the car in Atlanta, they send Grandma south and, much to Bobby’s mortification, book a bus home. Bobby finds himself on the same bus with Jacob’s family on an emergency trip to find the boy, who’s gone missing, and Bobby’s worldview takes an epiphanic hit. The narrative shifts from Bobby's perspective in a focused, third-person voice to the first-person accounts of a number of secondary characters. These voices, particularly those of the African-Americans, are mostly indistinct, their accounts seesawing from elliptical to expository. This, together with historical references that will likely slip past children and sometimes tortured syntax, derails prolific series fantasist Abbott’s (The Secrets of Droon) attempt at an autobiographical historical novel.
A laudable attempt to address an unfortunately still-timely subject, this novel feels more like a Modernist experiment than a children's book. (Historical fiction. 9-12)Pub Date: July 19, 2011
ISBN: 978-0-374-34673-7
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 6, 2011
Kirkus Reviews Issue: June 15, 2011
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