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THREAD OF LOVE

Despite some shortcomings, the book carries the day on showcasing the beautiful traditions of Raksha Bandhan.

To the tune of “Frère Jacques,” the book showcases Raksha Bandhan, a festival in northern India that celebrates the relationship between brothers and sisters.

Two sisters busy themselves making a rakhi (the titular thread of love) and tying it to their brother. In return, their brother gives them a gift and some chum-chum (an Indian sweet). The book ends with a heartwarming spread showcasing family, friends, and neighbors around the world being bound by this thread of love. While obviously enjoyable for storytimes, the cadence of the song with these lyrics can be a bit challenging, and some poetic license has been taken with the wording, possibly to meet the meter. “Sister Kashi, Sister Kashi,” reads the text, “meri ban, meri ban.” The phrase “meri ban” is translated in the glossary as “my sister,” with an addendum that “behan” is “an alternate spelling”; many speakers of Hindi may well feel that “behan” is the standard rendering and “ban” an unfamiliar variation. Debut illustrator Hoang’s illustrations are infused with persimmon, magenta, and lime green. The children’s faces are disproportionately large, and they wear only traditional Indian garb. The backdrops indicate an Indian setting, with words in Hindi on shops and a cricket poster in the brother’s bedroom. Although the concluding map includes children likely of the Indian diaspora, it’s a shame the story itself is so visually limiting. The book ends with helpful instructions for making a rakhi.

Despite some shortcomings, the book carries the day on showcasing the beautiful traditions of Raksha Bandhan. (Picture book. 3-7)

Pub Date: Oct. 16, 2018

ISBN: 978-1-5344-0473-1

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: June 24, 2018

Kirkus Reviews Issue: July 15, 2018

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THE JOY IN YOU

The message is wholehearted and positive, but the cloying execution doesn’t stand out.

A parent koala encourages its child to engage in every pursuit, and so do several other animals.

The British celebrity author, host of both children’s and adult TV programs, has a very positive message to spread, but there is nothing original in the lightweight text. The many animal characters pictured in diverting, fuzzy-edged illustrations engage in various activities as the text encourages them. “You can sing! If you love to sing, sing. / Shout at the top of your lungs, or whisper soft and sweet.” On verso, a frog quartet harmonizes, while across the gutter, a lion is shown with open mouth roaring as a small bird presumably whispers. Using rhyme and alliteration but without real poetic consistency, lines such as these appear: “You can share. You can care. You can create. You can learn. / You can wonder. You can wander.” The pink flamingo creating a fantastic dessert with pineapple rings is an appealing image, and children will enjoy seeing the cuddly baby koala throughout the book as other animals step up for their showcase. The fantasy-forest setting and its animals will keep small children engaged, but the sweetness comes with a significant aftertaste of treacle. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 34.5% of actual size.)

The message is wholehearted and positive, but the cloying execution doesn’t stand out. (Picture book. 3-5)

Pub Date: Sept. 15, 2020

ISBN: 978-0-593-18141-6

Page Count: 32

Publisher: Random House

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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THE TREE THAT'S MEANT TO BE

Beautiful to behold but uneven to read.

O (little) Christmas tree!

Though it’s not as scraggly as the tree Charlie Brown selects in the television special, the little fir tree who narrates this story isn’t like the others in the forest. A scene in springtime reads, “While other trees grew poised and tall, / I lagged behind. / Looking different. / Feeling small.” When humans come to cut down trees to decorate for Christmas, the little fir tree isn’t chosen. It stands, lonesome, surrounded by the stumps of the other fir trees, with bare-branched deciduous trees in the background. In a happy turn, woodland animals hear the tree’s cries and bring “berries, feathers, / nuts, and flowers” to decorate it right where it stands. It’s a joyful, peaceable kingdom of a scene, enlivened with a bit of whimsy when the tree says that “a shooting star dropped down // [and] sank into my branches and shone so pure, / so bright, that I became a tree of light.” Here and throughout, Zommer’s gentle, warm illustrations outshine the text, which falters in its cadence and rhyme. Closing spreads show the tree growing taller, if still a bit crooked and spindly, with birds and forest animals around it. The final spread depicts a child of color and a white child reading books at its base, affirming the act of reading that brought real children to this closing page.

Beautiful to behold but uneven to read. (Picture book. 4-7)

Pub Date: Sept. 24, 2019

ISBN: 978-0-593-11967-9

Page Count: 32

Publisher: Doubleday

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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