Max, a formerly anxious bookmark, shares their journey to find strategies to manage their fear of the scary pictures in books.
Stylized mixed-media illustrations create an air of whimsy and encouragement in an artistic style reminiscent of Oliver Jeffers’: Scribbled lines pop against generous white space and a muted, textured color palette. Repetitive and at times rhyming, the text builds a rhythm that lends itself to read-alouds, especially for educators with students who seem to have difficulty regulating fear-related emotions. The text depicts Max’s instinctive panic response before they demonstrate the three Navy SEAL approaches to fear taught at Bookmark School: “Breathe deeply,” “Make a plan,” and “Think good thoughts.” Typography is utilized well here: The words “RULES AND TOOLS,” which serve as a shorthand for the Navy SEAL strategies, are distinguished from the rest of the text by traditional serif type, while the words “SCARIEST pictures” appear in larger nonserif type. Attired in a jaunty red cap with a yellow tassel, Max is a peachy pink bookmark, while their unnamed trainer is a deep red color with a long, blue queue-like tassel and dramatically sloping eyebrows (unfortunately calling to mind problematic, one-sided depictions of Asian characters skilled in mindfulness and martial arts).
An ambitious blending of emotional and psychological tools with fantasy that will serve the right reader well. (authors’ note) (Picture book. 5-8)Pub Date: June 11, 2019
ISBN: 978-0-8234-3862-4
Page Count: 40
Publisher: Holiday House
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Categories: CHILDREN'S SOCIAL THEMES
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Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 29, 2017
Kirkus Reviews Issue: April 15, 2017
Categories: CHILDREN'S SOCIAL THEMES
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With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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