A different kind of war story, highly recommended.

GRAFFITI KNIGHT

This gripping page-turner set in 1947 East Germany explores the aftereffects of war and occupation.

World War II is over and Germany partitioned among the victors. For most in the Soviet-occupied zone, life is grim and anything but peaceful. Hunger’s a constant companion, trust in short supply. Most despise their Russian masters and even more, the German police—Schupos—who do their bidding. With their elders embittered and broken, friendship sustains 16-year-old narrator Wilm and his friends, Karl and Georg. Pretending to spy on the Schupos blows off steam, but after the Schupos beat up Wilm’s amputee father and Wilm learns of the brutal sexual assault on his sister, Anneliese, the game turns real. Supported by Karl and Georg, Wilm starts by scrawling graffiti calling the Schupos “puppets” and vandalizing police vehicles. Risk-taking proves energizing and deeply satisfying—also addictive and eventually desensitizing. It’s at odds with his growing interest in building bridges. The engineer who mentors him lends him books and encourages his interest, but their connection weakens as Wilm’s acts of sabotage escalate. The authentic setting, compelling characters, and taut, suspenseful plot claim attention throughout. Bass refuses to oversimplify human beings. When motivations are tangled and complex, actions, even the best-intended, have unforeseen consequences. 

A different kind of war story, highly recommended. (historical note) (Historical fiction. 12 & up)

Pub Date: March 1, 2014

ISBN: 978-1-927485-53-8

Page Count: 288

Publisher: Pajama Press

Review Posted Online: Dec. 11, 2013

Kirkus Reviews Issue: Jan. 1, 2014

Did you like this book?

No Comments Yet

Riveting, brutal and beautifully told.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

Did you like this book?

A lush and darkly twisted modern fairy tale.

HOUSE OF HOLLOW

Ten years ago, the three Hollow sisters disappeared from an Edinburgh street while on holiday. A month later, they came back.

When Iris, Vivi, and Grey returned, they couldn’t remember anything of their ordeal. Their dark hair turned white, and their blue eyes became black. They sported identical hook-shaped scars on their necks. Despite their altered appearances, their parents were elated to return home to London with them. However, their father soon began to believe that they were not really his daughters, a conviction that led to his suicide. Since then, the story of now 17-year-old Iris and her older sisters has been like catnip to online sleuths, and their ethereal beauty and uncanny ability to bend people to their wills and intoxicate them with dangerous desire add to their mystique. When Grey, now an internationally famous fashion designer and model, goes missing, Iris and Vivi, with help from Grey’s Korean British boyfriend, Tyler, set out to find her and the truth behind their disappearance. Their search takes on a new urgency when they find a decomposing body blooming with white flowers in Grey’s apartment and they are pursued by a murderous man wearing a horned bull’s skull mask. Iris’ smart and assured narration easily carries a fast-paced story entwining themes of grief and loss with elements of folklore and some very inventive body horror. The pervasive feeling of dread builds to a shocking twist.

A lush and darkly twisted modern fairy tale. (Horror. 13-18)

Pub Date: April 6, 2021

ISBN: 978-0-593-11034-8

Page Count: 304

Publisher: Putnam

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

Did you like this book?

No Comments Yet
more