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Beaumont and Pham have proven once again that childhood fun romps across all societal biases with aplomb.

The shoe-obsessed foursome of Shoe-la-la! (2011) is back, but this time millinery extravagance is the rage.

The irrepressible little girls storm a street-fair boutique—Chez Chapeaux. Beaumont’s simple, snappy rhymes tap-dance the girls from turbans to top hats with nary a stumble. Unlike the frazzled clerk in the girls’ first adventure, the boutique’s brown-skinned salesclerk joins in the revelry with joyful alacrity. Feathers, fruit, flowers—nothing is too glitzy for the four fashionistas-in-training. “Ribbons, buttons / beads, and bows. / Gems and jewels…we all like those.” After the friends finally decide on some rather plain head gear, they race home to their attic workshop. In the blink of an eye, Scotch tape, paint, and sparkly craft supplies provide the needed pizzazz for their haute couture masterpieces. Frou-Frou, a beribboned little terrier, delivers fancy invitations to the clueless moms, who have been shouting up to their daughters, “Emily, Ashley, Kaitlyn, Claire! / What is going on up there?” Stepping into the backyard, the surprised parents find they are the guests of honor at a très chic mother-daughter tea party. Pham’s digitally colored, Japanese brush pen illustrations expertly capture the quicksilver flashes of grins, eye-rolls, and haughty runway ennui. Dress-up magic sparkles all over this too-cute multiethnic quartet.

Beaumont and Pham have proven once again that childhood fun romps across all societal biases with aplomb. (Picture book. 4-7)

Pub Date: Feb. 28, 2017

ISBN: 978-0-545-47423-8

Page Count: 40

Publisher: Scholastic

Review Posted Online: Oct. 25, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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