Painstaking, judicious, and by no means exculpatory but with hints of sympathy.
A portrait of two victims of the Great Depression whose taste for guns and fast cars led to short careers in crime but longer ones as legends.
Blumenthal (Hillary Rodham Clinton, 2016, etc.) makes a determined effort to untangle a mare’s nest of conflicting eyewitness accounts, purple journalism, inaccurate police reports, and self-serving statements from relatives and cohorts of Bonnie Parker and Clyde Barrow. Though the results sometimes read as dry recitations of names and indistinguishable small towns, she makes perceptive guesses about what drove them and why they have become iconic figures, along with retracing their early lives, two-year crime spree, and subsequent transformations into doomed pop-culture antiheroes. She does not romanticize the duo—giving many of their murder victims faces through individual profiles, for instance, and describing wounds in grisly detail—but does convincingly argue that their crimes and characters (particularly Bonnie’s) were occasionally exaggerated. Blumenthal also wrenchingly portrays the desperation that their displaced, impoverished families must have felt while pointedly showing how an overtaxed, brutal legal system can turn petty offenders into violent ones. A full version of Bonnie’s homespun ballad “The Story of Bonnie and Clyde” and notes on the subsequent lives of significant relatives, accomplices, and lawmen join meaty lists of sources and interviews at the end.
Painstaking, judicious, and by no means exculpatory but with hints of sympathy. (photos, timeline, author’s note, source notes, bibliography, index) (Biography. 12-14)Pub Date: Aug. 14, 2018
ISBN: 978-0-451-47122-2
Page Count: 256
Publisher: Viking
Review Posted Online: May 14, 2018
Kirkus Reviews Issue: June 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Lyrical writing focuses on the aftermath of the Holocaust, a vital, underaddressed aspect of survivor stories.
Following his liberation from the Buchenwald death camp, Romek didn’t know how to reclaim his humanity.
Romek’s childhood in his Polish shtetl of Skarżysko-Kamienna, where he was the youngest of six loving siblings, wasn’t wealthy, but it was idyllic. Skarżysko-Kamienna was “forests and birdsong,” with “the night sky stretching from one end of the horizon to the other.” His family was destroyed and their way of life obliterated with the Nazi invasion of Poland, and Romek lost not just memories, but the accompanying love. Unlike many Holocaust memoirs, this painfully lovely story begins in earnest after the liberation, when Romek was among 1,000 Jewish orphans, the Buchenwald Boys, in need of rehabilitation. Having suffered years of starvation, disease, and being treated as animals, the boys were nearly feral: They fought constantly, had forgotten how to use forks, and set fire to their French relief camp dormitory. Some adults thought they were irredeemable. With endless patience, care, and love, the mentors and social workers around them—themselves traumatized Holocaust survivors—brought Romek back from the brink. Even in a loving and protective environment, in a France where the boys were treated overwhelmingly kindly by the populace, it took time to remember goodness. Parallels between anti-Semitism and racism in the U.S. and Canada are gentle but explicit.
Lyrical writing focuses on the aftermath of the Holocaust, a vital, underaddressed aspect of survivor stories. (historical note, timeline) (Memoir. 12-14)Pub Date: May 11, 2021
ISBN: 978-1-5476-0600-9
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
Beautiful fluff with little substance.
A who’s who of the queer, iconic, and fabulous.
Readers looking for a casual introduction to a diverse selection of members of the LGBTQ+ community (and their allies) will enjoy this compilation of dozens of individuals, a handful of whom are discussed collectively. The names range from the exceptionally well known—such as singer and actor Lady Gaga, drag superstar Shea Couleé, and activist Sylvia Rivera—to icons who may be new to them, like Black plus-size model Dexter Mayfield, Black British activist Lady Phyll, and Salvadoran American intersex writer/actor/director River Gallo. The book also includes a few sections offering advice, such as “How To Be a Support to a Queer Person” and “Ways To Celebrate Pride Season All Year Round.” The bold graphics and colorful artwork are sure to grab readers’ attention, although the likenesses of the portraits vary in degree of verisimilitude. Readers seeking traditional biographical sketches will definitely need to look elsewhere for solid facts, including birth dates, death dates, and sources of additional information; they may also feel bemused by the prominently featured opinions of the author. As a curated list of one individual’s heroes, the book is good; as anything else, it’s less than iconic.
Beautiful fluff with little substance. (organizations, helplines, resources, sources) (Nonfiction. 12-14)Pub Date: April 18, 2023
ISBN: 978-0-593-52135-9
Page Count: 160
Publisher: Penguin Workshop
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
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