A melodramatic, ultimately disappointing endeavor.
Fifteen years ago, Rachel Cunningham killed her parents. Or so she thought.
Rachel was only 11 when she shot her mother, watched her father turn his rifle on himself in their remote hunting lodge on Michigan’s Upper Peninsula, and then was found catatonic after having disappeared into the deep woods for two weeks. Now 26, she’s been in and out of psychiatric institutions, unable to come to terms with her terrible deed. The world thinks her father killed her mother, then himself: Rachel confessed, but no one believed her. One day, Trevor, an aspiring journalist, sits down with Rachel so she can tell her story and hopefully clear her father’s name. Then she plans to take her own life. But when Rachel catches a glimpse of the police report that says there's no way she could have fired that rifle, she questions everything she thought she knew about that day, and the gaps in her memory take on an even more ominous hue. She checks herself out of the hospital, calls Trevor for a ride, and heads back to the lodge, where her older sister, Diana, and her aunt, Charlotte, have lived for years. Choosing to hide out in the lodge rather than reveal herself, Rachel searches for clues about her parents’ deaths and soon realizes that Diana, and their complicated relationship, may hold the key to everything. Interspersed with Rachel’s present-day narrative, her mother, Jenny, who was a wildlife biologist along with Rachel’s father, Peter, details the years leading up to her death and the distressing events that marked their otherwise idyllic existence. Dionne has her locale down pat: It doesn’t get much creepier than a huge lodge filled with taxidermic animals where cell signals are scarce and dangers lurk in the surrounding woods. The characters lack nuance, though, and Dionne tends to clearly telegraph upcoming plot twists. Further, the book’s true villain does everything short of mustache twirling, and it’s not quite clear if readers should take Rachel’s earnest claim that she can talk to animals seriously. In the end, it’s all just a bit too much.
A melodramatic, ultimately disappointing endeavor.Pub Date: Aug. 4, 2020
ISBN: 978-0-735-21303-6
Page Count: 304
Publisher: Putnam
Review Posted Online: May 17, 2020
Kirkus Reviews Issue: June 1, 2020
BOOK REVIEW
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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