Deliciously complex and convincingly detailed.

A MOST MAGICAL GIRL

A young Victorian girl is called to duty in a battle between witchy good and evil.

Except for odd, compelling visions seen in rainy-day puddles, Annabel’s an unremarkable white, middle-class girl schooled in proper behavior. But when her mother unexpectedly sends her off to live with elderly aunts, Annabel arrives on the eve of a crisis in the heart of London. The aunts are witches, of course. London’s aging witches and wizards, members of the Great & Benevolent Magical Society, must rely on Annabel to avert disaster. Mr. Angel is the inventor of a machine that extracts dark magic by feeding on sad things: mourning ribbons, unsent letters, loss and sorrow of all kinds. He plans to feed Annabel to it as the ultimate sad sacrifice, thereby harvesting enough dark magic to immerse the world in evil. Foxlee deftly wields the tropes of witchery: the importance of wands, the character and flight of broomsticks, and the selection of magical objects—for Annabel, a seeing stone. Her heroines—besides Annabel, there’s Kitty, the dark-browed, green-eyed “wild girl” from the streets, and a young troll with aspirations—have grit and heart, and they are willing to get dirty. And they do. Foxlee’s nicely wry tone and moments of incongruous humor break up the tension, while Annabel’s race against time in a harrowing journey deep under London keeps the pages turning. McKay’s three-dimensional art suffers in its matte, black-and-white rendition here, but it’s still a pleasant complement.

Deliciously complex and convincingly detailed. (Historical fantasy. 9-13)

Pub Date: Aug. 2, 2016

ISBN: 978-0-553-51285-4

Page Count: 304

Publisher: Knopf

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror.

THE ICKABOG

Rowling buffs up a tale she told her own children about a small, idyllic kingdom nearly destroyed by corrupt officials.

In the peaceful land of Cornucopia, the Ickabog has always been regarded as a legendary menace until two devious nobles play so successfully on the fears of naïve King Fred the Fearless that the once-prosperous land is devastated by ruinous taxes supposedly spent on defense while protesters are suppressed and the populace is terrorized by nighttime rampages. Pastry chef Bertha Beamish organizes a breakout from the local dungeon just as her son, Bert, and his friend Daisy Dovetail arrive…with the last Ickabog, who turns out to be real after all. Along with full plates of just deserts for both heroes and villains, the story then dishes up a metaphorical lagniappe in which the monster reveals the origins of the human race. The author frames her story as a set of ruminations on how evil can grow and people can come to believe unfounded lies. She embeds these themes in an engrossing, tightly written adventure centered on a stomach-wrenching reign of terror. The story features color illustrations by U.S. and Canadian children selected through an online contest. Most characters are cued as White in the text; a few illustrations include diverse representation.

Gripping and pretty dark—but, in the end, food, family, friendship, and straight facts win out over guile, greed, and terror. (Fantasy. 10-13)

Pub Date: Nov. 10, 2020

ISBN: 978-1-338-73287-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: Nov. 17, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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