While slowed by a dry backstory, this engaging tale transports readers to an intriguing village.
A series opener focuses on a hidden settlement in the Smoky Mountains.
Karen Karper Fredette (Where God Begins to Be, 2015, etc.) presents husband and wife Wren and Kyle Makepeace. As the novel begins, the two, both in their early 30s, are out for a hike near the Tennessee/North Carolina border. They follow an old railroad path and come across a woman named Mencie. Wren and Kyle have arrived at Lovada Cove. Mencie informs the couple that people only get to the Cove if they have been “Sent or Summoned.” It turns out the Cove is a village of sorts all on its own with homes, a church, and, thanks to some local ingenuity, reliable internet service. As Wren and Kyle learn more about this community, they also discover a great deal about themselves. Wren, who was raised by foster parents and whose middle name is Lovada, will become acquainted with her sometimes disturbing family history. Kyle, who is of Cherokee descent, will find a connection to his ancestors. Yet the couple will also learn that the Cove is in trouble. Someone even plans to tell the outside world about the settlement. The opening pages of the novel are laden with dull information about Wren and Kyle (for example, he was initially impressed by her “poise as she addressed a conference for compensatory education teachers”). Nevertheless, the pace of the story—which features black-and-white illustrations by Paul Fredette (Consider the Ravens, 2011), the author’s husband—soon picks up. The Cove is an odd enclave if ever there was one. Everything from the thickening mists capable of blocking out sound to a cat with the ability to get people to follow it adds to the vivid, otherworldly atmosphere. The story progresses with a feeling of mystery and later, when the narrative reveals someone wants to betray the Cove, a sense of urgency. Dialogue, on the other hand, tends to lack depth. For instance, Kyle proclaims awkwardly in a time of distress: “At least, let’s get clear of this place!” Yet even with such obvious sentiments, the narrative deftly takes the characters to places that both they and the audience could hardly expect.
While slowed by a dry backstory, this engaging tale transports readers to an intriguing village.Pub Date: March 7, 2019
ISBN: 978-1-72303-058-1
Page Count: 222
Publisher: CreateSpace
Review Posted Online: March 5, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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