Empathetically acknowledges children’s big feelings and engagingly models emotional health.
Misery loves compassionate company.
A child with olive skin and wavy black pigtails races to wake a younger sibling with a declaration to “play outside!” However, the younger child retorts, “Why out? Today I like in.” The older sibling acquiesces to indoor play and suggests singing a song quietly. This prompts the out-of-sorts younger sibling to sing loudly. The precedent is set, with the older sibling indulging in the younger’s requests only to have seemingly accommodating suggestions—to color a picture or to bake treats—met with a contrarian reply. The energetic figures are set against a simple background and occasional broad strokes of bold colors that play with perspective. Things come to a head when the younger declares that they feel like throwing rocks and kicking leaves and that they want “the sun to turn off,” eventually admitting they want “to disappear” as Kwan envelops the child in billowing clouds of gray. Gently the older sibling offers to “disappear with” the younger, offering to “bring a song to yell” and to make “a cake that’s sour” (with the option to make a cake that is sweet). Touched, the younger confidently asks to dance, stomp, and jump “Till the fog fades away.” The spare, dialogue-only text is just enough to model for young readers what compassion and empathy look like when acknowledging the feelings of others.
Empathetically acknowledges children’s big feelings and engagingly models emotional health. (Picture book. 3-6)Pub Date: Oct. 15, 2021
ISBN: 978-1-77147-397-2
Page Count: 32
Publisher: Owlkids Books
Review Posted Online: Sept. 23, 2021
Kirkus Reviews Issue: Oct. 15, 2021
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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