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UNIVERSAL TIME

Name: UNIVERSAL TIME
Author: Karen Lynn Allen
ISBN: 978-0967178431

by Karen Lynn Allen ‧ RELEASE DATE: March 6, 2015

Newcomers to Allen’s work will find this sci-fi-romance to be quite an adventure.

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A single mom’s life is turned upside down when she encounters a man from outer space in Allen’s (Beaufort 1849, 2011, etc.) wildly imaginative novel.

Cait has a full plate managing her job at an affordable housing foundation in San Francisco and raising two young daughters, and her ex-husband has an annoying habit of dropping off his new baby for her to watch. One day, a strange man who seems furious with her abducts her on the street, and she’s initially terrified. He introduces himself as Atraxis and says that he believes that she’s in possession of something called a “Tamaranth”—and he wants it back. She’s in his spaceship en route to his home planet of Tivolea when he tells her this, so she can’t exactly tell him he’s crazy. She finally convinces herself that she’s having an elaborate dream; in fact, though, she’s participating in formal Tivolean rituals that result in her getting married to Atraxis. Happily, she’s soon returned to her life on Earth, but her new spouse won’t leave her alone. Instead, he moves into an upstairs apartment and becomes a constant presence in her life. Soon, he offers to help teach her girls, who are learning little at their ineffective school, and even provides Cait with a supercomputer to handle the housework and cooking—all while managing his own job as an arbitrator of interplanetary conflicts. Still, Cait resists his charms and efforts to help at every turn. Luckily, she’s able to turn to her ex-sister-in-law, Nancy, for a dose of sanity—that is, until Nancy becomes smitten with Atraxis’ ex-brother-in-law from an altogether different planet and things really start to get complicated. Allen creates an intricately detailed, remarkably inventive universe encompassing alien languages, physiology, and culture, as well as advanced technologies. She populates this vivid world with characters that are both layered and believable. Some readers may chafe a bit at the somewhat geeky sci-fi humor (“to her you are as strange as the gas cozzili of Franddon”) as well as Cait’s dogged romantic refusal of Atraxis, even though he’s clearly a catch. That said, most will readily gloss over these minor issues to find out what happens next.

Newcomers to Allen’s work will find this sci-fi-romance to be quite an adventure.

Pub Date: March 6, 2015

ISBN: 978-0967178431

Page Count: 340

Publisher: Cabbages and Kings Press

Review Posted Online: June 8, 2015

Review Program: Kirkus Indie

Categories:

GENERAL FICTION

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OWEN FOOTE, MONEY MAN

by Stephanie Greene & illustrated by Martha Weston ‧ RELEASE DATE: Sept. 18, 2000

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In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)

Pub Date: Sept. 18, 2000

ISBN: 0-618-02369-0

Page Count: 96

Publisher: Clarion Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2000

Categories:

GENERAL FICTION

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THE VEGETARIAN

by Han Kang ; translated by Deborah Smith ‧ RELEASE DATE: Feb. 2, 2016

An unusual and mesmerizing novel, gracefully written and deeply disturbing.

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In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.

Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.

An unusual and mesmerizing novel, gracefully written and deeply disturbing.