by Karen Mahoney ‧ RELEASE DATE: Feb. 1, 2011
This book begins and ends with a diary entry from the journal of Donna Underwood, whose strongest childhood memory—seeing her father killed—was followed by her mother’s entry to a private sanatorium. His killers, vicious wood elves, mangled Donna’s hands and arms so badly that only magical surgery would save them. Now the wood elves are back; they’ve kidnapped Donna’s friend, Navin, and, it’s up to Donna to save him. The protagonists of this fantasy adventure—Donna, Navin and romantic interest Zan—are well drawn and engaging. Secondary characters (mostly adults)—sketchily developed humans and fey—mainly exist to drive the solid plot. And what a plot! Complex in structure, it includes a secret society of alchemists whose motives are veiled, the mystery of Donna’s dad’s death and a budding romance between Donna and the half-fey Zan. The success of the story depends heavily upon the geographical contrast between small-town Ironbridge, Mass., and the dark forest that leads to the home of the wood elves. The suspense and tension built into the story lead to a smashing climax and an ambivalent solution. Enough plot threads are left dangling that readers should expect at least one sequel. This story has it all for fans of (sub)urban: vicious adversaries, devoted friendship and first romance. (Fantasy. 13-16)
Pub Date: Feb. 1, 2011
ISBN: 978-0-7387-2582-6
Page Count: 288
Publisher: Flux
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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by Kristy Acevedo ‧ RELEASE DATE: June 6, 2023
A glossy repackaging of a jejune tale.
A reissue of the 2016 novel published as Consider.
Alexandra Lucas and her boyfriend, Dominick, are about to start their senior year of high school when 500 vertexes—each one a doorway-shaped “hole into the fabric of the universe”—appear across the world, accompanied by holographic messages communicating news of Earth’s impending doom. The only escape is a one-way trip through the portals to a parallel future Earth. As people leave through the vertexes and the extinction event draws nearer, the world becomes increasingly unfamiliar. A lot has changed in the past several years, including expectations of mental health depictions in young adult literature; Alex’s struggle with anxiety and reliance on Ativan, which she calls her “little white savior” while initially discounting therapy as an intervention, make for a trite after-school special–level treatment of a complex situation; a short stint of effective therapy does finally occur but is so limited in duration that it contributes to the oversimplification of the topic. Alex also has unresolved issues with her Gulf War veteran father (who possibly grapples with PTSD). The slow pace of the plot as it depicts a crumbling society, along with stilted writing and insubstantial secondary characterization, limits the appeal of such a small-scale, personal story. Characters are minimally described and largely racially ambiguous; Alex has golden skin and curly brown hair.
A glossy repackaging of a jejune tale. (Science fiction. 13-16)Pub Date: June 6, 2023
ISBN: 978-1-72826-839-2
Page Count: 320
Publisher: Sourcebooks Fire
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
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More In The Series
by Kelly Creagh ‧ RELEASE DATE: Aug. 17, 2021
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway.
Stephanie and her family move into an old mansion rumored to have been put under a curse after a turn-of-the-20th-century rich boy meddled with an Egyptian mummy.
After her young sister complains about strange events, high school student Stephanie befriends Lucas, a geeky, good-looking boy, and meets the other members of SPOoKy, the Scientific Paranormal Organization of Kentucky: Charlotte, Wes, and Patrick. Stephanie learns the history of her new home from Lucas, who attracts her romantic attention, but the usually levelheaded girl is soon drawn to Erik, the handsome phantom who first comes to her in dreams. The story is told in chapters narrated by Stephanie, Lucas, and Zedok, whose identity is initially a source of confusion to Stephanie. Zedok appears wearing different masks, “personified slivers” of his soul, representing states of mind such as Wrath, Madness, and Valor. Meanwhile, until gifted singer Stephanie came along and he could write songs for her, Erik’s dreams were thwarted; he wanted to be a composer but his family expected him to become a doctor. In the gothic horror tradition, Erik’s full background and connection with Zedok are slowly revealed. Romantic dream sequences are lush and swoon-y, but the long, drawn-out battle to end the curse, aided by a celebrity clairvoyant, is tedious, and the constant introduction of Erik’s different personae is confusing. Most characters default to White; Patrick is Black.
The Phantom of the Opera served as inspiration, but this wouldn’t last on Broadway. (Horror. 13-16)Pub Date: Aug. 17, 2021
ISBN: 978-0-593-11604-3
Page Count: 528
Publisher: Viking
Review Posted Online: May 26, 2021
Kirkus Reviews Issue: June 15, 2021
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