Novak’s striking debut works up to a climactic frenzy whose deepest revelations aren’t about mysterious Eleanor, but about...
A hundred years after a frightful murder spree leaves a New England house haunted, an equally haunted woman arrives from the city destined in spite of herself to break the curse—or repeat it.
Her nerves worn to shreds by repeated exposure to child-abuse cases, Detective Leslie Stone snapped one day, shooting the police suspect in the killing of a little girl. Exonerated on murder charges by a temporary insanity plea, she’s just emerging from a mental institution when her contractor husband Greg is invited to the insular town of Wellington to supervise the restoration work on Five Mile House, fallen into disuse and disrepair ever since Eleanor Bly killed six of her seven children and then leapt to her death from an upper window. Greg has never done this sort of work before; his sole qualification is Leslie herself, a double for the fearsome Eleanor Bly. As Leslie settles queasily into a new routine, taking Wellington family attorney Phillip Hogarth as her lover and volunteering three mornings a week at the Wellington Historical Society, she realizes that Eleanor Bly, whose spirit haunts Five Mile House (and, ever more insistently, the narrative) who longs for the rescuer she sees in Leslie, isn’t the only thing disturbing about Wellington. Gwendolyn Garrett, the historical consultant who first sought Greg for the job, is a practicing witch hot on the trail of a cabalistic volume called the Analecta Seriatus; most of the other women in Wellington seem to be members of her coven; and the town’s history is so closely bound up with its most notorious figure that Harry and Diana Wellington plan to refurbish the place as a Witches of Wellington theme park (think Colonial Williamsburg redesigned by Nathaniel Hawthorne).
Novak’s striking debut works up to a climactic frenzy whose deepest revelations aren’t about mysterious Eleanor, but about Leslie and the loyalties she once took for granted. (Author tour)Pub Date: Oct. 1, 2000
ISBN: 1-58234-096-X
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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