The political is personal in this effective introduction to 19th-century society and women’s rights.

STARTING FROM SENECA FALLS

Bridie, an Irish orphan fleeing a fate of indentured servitude, meets Rose, a free black girl, as both test the limits of what they can do with their lives.

Bridie’s release from the poorhouse after her mother’s death is not what she had hoped. The Kigleys, a white family, bring her to their farm on trial before contracting her as an indentured servant, but the abuse Bridie suffers at Mr. Kigley’s hands leads her to run away. When she meets Rose, they become (improbably) fast friends, and Rose helps Bridie find work at the home of Mrs. Stanton, an educated white woman with property who organizes conventions for women’s rights. (Knowledgeable readers will identify her fairly quickly as Elizabeth Cady Stanton.) At first confused about Rose’s desire to study science, Bridie discovers a love of typesetting. When Frederick Douglass visits Mrs. Stanton, and Mrs. Kigley and her daughter beg for help escaping their abuser, both girls find themselves tested. The third-person narrative is steeped in historical facts and details, which will particularly fascinate history buffs. Bridie’s well-paced story is engaging enough to carry the multilayered questions of gender, class, and race that are addressed in the text. The combination of plain narration with period dialogue is slightly awkward; without a glossary, young readers may need a dictionary on hand. A historical note providing context discusses Stanton’s racism, which is not addressed in the story.

The political is personal in this effective introduction to 19th-century society and women’s rights. (Historical fiction. 8-12)

Pub Date: June 23, 2020

ISBN: 978-0-593-12505-2

Page Count: 240

Publisher: Random House

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit...

NUMBER THE STARS

The author of the Anastasia books as well as more serious fiction (Rabble Starkey, 1987) offers her first historical fiction—a story about the escape of the Jews from Denmark in 1943.

Five years younger than Lisa in Carol Matas' Lisa's War (1989), Annemarie Johansen has, at 10, known three years of Nazi occupation. Though ever cautious and fearful of the ubiquitous soldiers, she is largely unaware of the extent of the danger around her; the Resistance kept even its participants safer by telling them as little as possible, and Annemarie has never been told that her older sister Lise died in its service. When the Germans plan to round up the Jews, the Johansens take in Annemarie's friend, Ellen Rosen, and pretend she is their daughter; later, they travel to Uncle Hendrik's house on the coast, where the Rosens and other Jews are transported by fishing boat to Sweden. Apart from Lise's offstage death, there is little violence here; like Annemarie, the reader is protected from the full implications of events—but will be caught up in the suspense and menace of several encounters with soldiers and in Annemarie's courageous run as courier on the night of the escape. The book concludes with the Jews' return, after the war, to homes well kept for them by their neighbors.

A deftly told story that dramatizes how Danes appointed themselves bodyguards—not only for their king, who was in the habit of riding alone in Copenhagen, but for their Jews. (Historical fiction. 9-12)

Pub Date: April 1, 1989

ISBN: 0547577095

Page Count: 156

Publisher: Houghton Mifflin

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: March 15, 1989

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Falters in its oversimplified portrayal of a complicated region and people.

GROUND ZERO

Parallel storylines take readers through the lives of two young people on Sept. 11 in 2001 and 2019.

In the contemporary timeline, Reshmina is an Afghan girl living in foothills near the Pakistan border that are a battleground between the Taliban and U.S. armed forces. She is keen to improve her English while her twin brother, Pasoon, is inspired by the Taliban and wants to avenge their older sister, killed by an American bomb on her wedding day. Reshmina helps a wounded American soldier, making her village a Taliban target. In 2001, Brandon Chavez is spending the day with his father, who works at the World Trade Center’s Windows on the World restaurant. Brandon is heading to the underground mall when a plane piloted by al-Qaida hits the tower, and his father is among those killed. The two storylines develop in parallel through alternating chapters. Gratz’s deeply moving writing paints vivid images of the loss and fear of those who lived through the trauma of 9/11. However, this nuance doesn’t extend to the Afghan characters; Reshmina and Pasoon feel one-dimensional. Descriptions of the Taliban’s Afghan victims and Reshmina's gentle father notwithstanding, references to all young men eventually joining the Taliban and Pasoon's zeal for their cause counteract this messaging. Explanations for the U.S. military invasion of Afghanistan in the author’s note and in characters’ conversations too simplistically present the U.S. presence.

Falters in its oversimplified portrayal of a complicated region and people. (author’s note) (Fiction. 9-12)

Pub Date: Feb. 2, 2021

ISBN: 978-1-338-24575-2

Page Count: 336

Publisher: Scholastic

Review Posted Online: Dec. 15, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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