An incomplete though mostly engaging portrait of the circumstances surrounding the death of a little girl.

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A SILENCE OF MOCKINGBIRDS

THE MEMOIR OF A MURDER

One woman’s investigation into the murder of the daughter of a former family friend.

Zacharias (Journalism/Central Washington Univ.; Will Jesus Buy Me A Double-Wide?, 2010, etc.) draws on personal experience in recounting the murder of Karly Sheehan, a 3-year-old who died at the hands of her mother’s boyfriend. The author continually highlights her once-friendship with the victim’s mother, Sarah Sheehan, even though their relationship dissolved in the years prior to Karly’s death. Arguably, this is still Zacharias’ story to tell, though her occasional missteps into the realm of melodrama undercut her ability to tell it. In the opening chapter, Zacharias explains that only three people know what happened on the day of Karly’s murder: “One of them is dead. One of them is in prison. And one of them blames me.” This notion of Sarah—who was not her daughter “in the literal sense, or even in the adopted sense, but in that way people choose others as ‘family’ ”—blaming Zacharias seems a bit of a stretch. This and other exaggerative flourishes will prompt some readers to question Zacharias’ continual need to insert herself into the narrative, a decision that leaves precious little space for the complexities of the case. While the author constructs her narrative from a wide range of letters, e-mails, court documents and personal experiences, many of the key witnesses—including the murderer and Karly’s mother—played no role in her investigation. What’s left is a story told by the heroes, most notably Karly’s father, David Sheehan, who agreed to the book and is noted in the dedication.

An incomplete though mostly engaging portrait of the circumstances surrounding the death of a little girl.

Pub Date: April 1, 2012

ISBN: 978-1-59692-375-1

Page Count: 324

Publisher: MacAdam/Cage

Review Posted Online: Feb. 13, 2012

Kirkus Reviews Issue: March 1, 2012

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IN COLD BLOOD

"There's got to be something wrong with somebody who'd do a thing like that." This is Perry Edward Smith, talking about himself. "Deal me out, baby...I'm a normal." This is Richard Eugene Hickock, talking about himself. They're as sick a pair as Leopold and Loeb and together they killed a mother, a father, a pretty 17-year-old and her brother, none of whom they'd seen before, in cold blood. A couple of days before they had bought a 100 foot rope to garrote them—enough for ten people if necessary. This small pogrom took place in Holcomb, Kansas, a lonesome town on a flat, limitless landscape: a depot, a store, a cafe, two filling stations, 270 inhabitants. The natives refer to it as "out there." It occurred in 1959 and Capote has spent five years, almost all of the time which has since elapsed, in following up this crime which made no sense, had no motive, left few clues—just a footprint and a remembered conversation. Capote's alternating dossier Shifts from the victims, the Clutter family, to the boy who had loved Nancy Clutter, and her best friend, to the neighbors, and to the recently paroled perpetrators: Perry, with a stunted child's legs and a changeling's face, and Dick, who had one squinting eye but a "smile that works." They had been cellmates at the Kansas State Penitentiary where another prisoner had told them about the Clutters—he'd hired out once on Mr. Clutter's farm and thought that Mr. Clutter was perhaps rich. And this is the lead which finally broke the case after Perry and Dick had drifted down to Mexico, back to the midwest, been seen in Kansas City, and were finally picked up in Las Vegas. The last, even more terrible chapters, deal with their confessions, the law man who wanted to see them hanged, back to back, the trial begun in 1960, the post-ponements of the execution, and finally the walk to "The Corner" and Perry's soft-spoken words—"It would be meaningless to apologize for what I did. Even inappropriate. But I do. I apologize." It's a magnificent job—this American tragedy—with the incomparable Capote touches throughout. There may never have been a perfect crime, but if there ever has been a perfect reconstruction of one, surely this must be it.

Pub Date: Jan. 7, 1965

ISBN: 0375507906

Page Count: 343

Publisher: Random House

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: Jan. 1, 1965

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At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history...

THUNDERSTRUCK

A murder that transfixed the world and the invention that made possible the chase for its perpetrator combine in this fitfully thrilling real-life mystery.

Using the same formula that propelled Devil in the White City (2003), Larson pairs the story of a groundbreaking advance with a pulpy murder drama to limn the sociological particulars of its pre-WWI setting. While White City featured the Chicago World’s Fair and America’s first serial killer, this combines the fascinating case of Dr. Hawley Crippen with the much less gripping tale of Guglielmo Marconi’s invention of radio. (Larson draws out the twin narratives for a long while before showing how they intersect.) Undeniably brilliant, Marconi came to fame at a young age, during a time when scientific discoveries held mass appeal and were demonstrated before awed crowds with circus-like theatricality. Marconi’s radio sets, with their accompanying explosions of light and noise, were tailor-made for such showcases. By the early-20th century, however, the Italian was fighting with rival wireless companies to maintain his competitive edge. The event that would bring his invention back into the limelight was the first great crime story of the century. A mild-mannered doctor from Michigan who had married a tempestuously demanding actress and moved to London, Crippen became the eye of a media storm in 1910 when, after his wife’s “disappearance” (he had buried her body in the basement), he set off with a younger woman on an ocean-liner bound for America. The ship’s captain, who soon discerned the couple’s identity, updated Scotland Yard (and the world) on the ship’s progress—by wireless. The chase that ends this story makes up for some tedious early stretches regarding Marconi’s business struggles.

At times slow-going, but the riveting period detail and dramatic flair eventually render this tale an animated history lesson.

Pub Date: Oct. 24, 2006

ISBN: 1-4000-8066-5

Page Count: 464

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 2006

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