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THE WATER’S EDGE

You’ve read this story dozens of times, but Fossum (Black Seconds, 2008, etc.) introduces you to characters you’ve never met...

Inspector Konrad Sejer confronts yet another criminal who preys on young children.

Kristine and Reinhardt Ris are out for a walk in Linde Forest, taking their weekly break from their flatlining marriage, when they see first a man who looks like Hans Christian Andersen getting into a white sedan, then the body of Jonas August Løwe, who would shortly have turned eight. Sejer and his assistant, Jacob Skarre, muster every officer in their Norwegian force to make inquiries, but the case languishes even though they’ve managed to collect DNA evidence they can use if they ever have a suspect. Jonas August’s mother Elfrid descends into a pool of bottomless grief; Reinhardt Ris develops an unhealthy obsession with the victim’s life and death; and soon enough word comes that another boy has gone missing. Edwin Åsalid, already obese at ten, is no one’s idea of a poster child. But his doting mother Tulla, already torn by her futile struggles to control his weight, is no less distraught than Elfrid Løwe, who, phoning her in sympathy, is rebuffed by Tulla, who’s frantic to believe the two women have nothing in common because Edwin’s still alive. The chance spotting of a man who looks like Hans Christian Andersen provides a crucial break in the case but doesn’t prepare for the real heartbreak around the corner.

You’ve read this story dozens of times, but Fossum (Black Seconds, 2008, etc.) introduces you to characters you’ve never met before.

Pub Date: Aug. 4, 2009

ISBN: 978-0-15-101421-7

Page Count: 240

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2009

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HIDE AWAY

Determined to shield her family from violence, a woman becomes a fierce freelance crime fighter in this mostly satisfying...

In the aftermath of a horrific crime, a woman makes herself over into a powerful protector—or perhaps an avenger.

Pinter (The Castle, 2019, etc.) already has the Henry Parker thriller series under his belt. In this book he introduces another potential series character, Rachel Marin. The story opens with a warm domestic scene of a young woman making dinner for her husband and two kids when a shattering (but undescribed) discovery intervenes. Jump ahead seven years, and single mom Rachel is living in another town several states away. When a mugger jumps her as she’s walking home from work, she leaves him bleeding in the street and hurries home to her bookish son, Eric, and sweet little daughter, Megan. Keeping them safe is her mission in life. But when she sees a news report about a body found on the ice beneath a nearby bridge, she’s riveted. The cops assigned to the case, detectives John Serrano and Leslie Tally, are shocked to discover the body is that of the town’s disgraced former mayor, Constance Wright. They’re even more shocked when Rachel, whom they don’t know, sends Serrano a message that the death was no suicide: “Constance Wright was murdered. And I can prove it.” When Serrano and Tally go to question Wright’s sketchy ex-husband, Rachel shows up at the same time, and they don’t know whether to order her away or be grateful for her help. Pinter builds a complex plot on the dual mysteries of Constance’s murder and Rachel’s transformation from suburban mom to crack investigator and lethal streetfighter. But the story has so many subplots and timelines that it can feel overstuffed, and some crucial questions asked early on are answered so late the reader might be surprised to be reminded of them. Pinter creates engaging characters, though, and keeps the suspense taut.

Determined to shield her family from violence, a woman becomes a fierce freelance crime fighter in this mostly satisfying thriller.

Pub Date: Jan. 7, 2020

ISBN: 978-1-5420-0590-6

Page Count: 368

Publisher: Thomas & Mercer

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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BLACK MOUNTAIN

This is secondhand tough-guy stuff, memorable only in that it feels like you've read it all before.

A former mob enforcer–turned–private eye is called in to investigate the savage murder of a Mafia leg-breaker in New York's Hudson Valley and finds himself on the trail of corporate espionage and a serial killer long believed dead.

The second book in Barron's series featuring Isaiah Coleridge (Blood Standard, 2018) seems, more than the debut, an obvious attempt to establish Coleridge as a strongman smartass in the Jack Reacher mold. The fight scenes are the written equivalent of action-movie choreography but without suspense, because the setup—Isaiah being constantly outnumbered—is so clearly a prelude for the no-sweat beat downs he doles out to the various thugs who get in his way. There's nary a memorable wisecrack in the entire book. What does stick in the mind are the sections that go out of their way to be writerly. It's not enough to say that it was a starry night in the Alaskan wilderness. Coleridge (the name is a clue to the series' literary aspirations) says, "I could've read a book by the cascading illumination of the stars." A later flash of insight is conveyed by "The scalpel of grim epiphany sliced into my consciousness." What with the narrative that spreads like spider cracks in glass and the far-too-frequent flashbacks to the man who was Coleridge's mentor, you might wish another scalpel had made its way through the manuscript.

This is secondhand tough-guy stuff, memorable only in that it feels like you've read it all before.

Pub Date: May 7, 2019

ISBN: 978-0-7352-1289-3

Page Count: 320

Publisher: Putnam

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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