Great fun, then, that's also an inspired approach to concert-going.

READ REVIEW

THE PHILHARMONIC GETS DRESSED

Well may you blink—but this is gloriously for real: on the cover is a woman struggling into a long black dress with an instrument case propped alongside.

And in the tenor of a suspense tale, ""one hundred and five people"" variously bathe and shower, shave and towel, don ""undershorts or briefs,"" ""petticoats or slips, and brassieres""—until, item-by-item, step-by-step, the unidentified one-hundred-and-five ""walk out of one hundred and five doors, into one hundred and five streets, and. . . take cabs, cars, subways, or buses to the middle of the city."" One man, who ""has wavy black hair streaked with white,"" has been dressing himself differently; and this obviously distinguished personage strides into a waiting limousine. Then, with the same meticulous detailing, the one hundred and four others take their seats (for the double bass players, stools); ""the man with the black wavy hair lit with white enters,"" ""steps one step up onto a box called a podium,"" and, at the wave of his baton, ""the hall. . . fills with music."" What is quite wonderful about this is that it's neither jokey nor artsy: the very notion of 105 diverse, scattered people dressing to assemble and play a symphony is attuned to children's curiosity and to the nature of music performance.

Great fun, then, that's also an inspired approach to concert-going.

Pub Date: Sept. 1, 1982

ISBN: 978-0-06-443124-8

Page Count: 48

Publisher: Harper & Row

Review Posted Online: July 17, 2013

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Aims high but falls flat.

WILD SYMPHONY

Through 20 short poems, Maestro Mouse invites readers to meet a series of animals who have lessons to impart and a symphony to perform.

Brown, author of The DaVinci Code (2003) and other wildly popular titles for adults, here offers young listeners a poetry collection accompanied by music: a “symphony” performed, for readers equipped with an audio device and an internet connection, by the Zagreb Festival Orchestra. From the introduction of the conductor and the opening “Woodbird Welcome” to the closing “Cricket Lullaby,” the writer/composer uses poems made of three to eight rhyming couplets, each line with four strong beats, to introduce the animals who will be revealed in the final double gatefold as the players in an all-animal orchestra. Each poem also contains a lesson, reinforced by a short message (often on a banner or signpost). Thus, “When life trips them up a bit, / Cats just make the best of it” concludes the poem “Clumsy Kittens,” which is encapsulated by “Falling down is part of life. The best thing to do is get back on your feet!” The individual songs and poems may appeal to the intended audience, but collectively they don’t have enough variety to be read aloud straight through. Nor does the gathering of the orchestra provide a narrative arc. Batori’s cartoon illustrations are whimsically engaging, however. They include puzzles: hard-to-find letters that are said to form anagrams of instrument names and a bee who turns up somewhere in every scene.

Aims high but falls flat. (Complete composition not available for review.) (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-593-12384-3

Page Count: 44

Publisher: Rodale Kids

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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It’s a bit hard to dance, or count, to this beat.

ONE MORE DINO ON THE FLOOR

Dinos that love to move and groove get children counting from one to 10—and perhaps moving to the beat.

Beginning with a solo bop by a female dino (she has eyelashes, doncha know), the dinosaur dance party begins. Each turn of the page adds another dino and a change in the dance genre: waltz, country line dancing, disco, limbo, square dancing, hip-hop, and swing. As the party would be incomplete without the moonwalk, the T. Rex does the honors…and once they are beyond their initial panic at his appearance, the onlookers cheer wildly. The repeated refrain on each spread allows for audience participation, though it doesn’t easily trip off the tongue: “They hear a swish. / What’s this? / One more? / One more dino on the floor.” Some of the prehistoric beasts are easily identifiable—pterodactyl, ankylosaurus, triceratops—but others will be known only to the dino-obsessed; none are identified, other than T-Rex. Packed spreads filled with psychedelically colored dinos sporting blocks of color, stripes, or polka dots (and infectious looks of joy) make identification even more difficult, to say nothing of counting them. Indeed, this fails as a counting primer: there are extra animals (and sometimes a grumpy T-Rex) in the backgrounds, and the next dino to join the party pokes its head into the frame on the page before. Besides all that, most kids won’t get the dance references.

It’s a bit hard to dance, or count, to this beat. (Picture book. 3-5)

Pub Date: March 1, 2016

ISBN: 978-0-8075-1598-3

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 20, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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