by Karla Valenti ; illustrated by Annalisa Beghelli ‧ RELEASE DATE: April 7, 2020
Scientific genius is a superpower of its own and does not need this pandering treatment.
Marie Curie was a superhero!
This first entry in the My Super Science Heroes series of highly fictionalized biographies details Curie’s brilliant achievements but pits her against a cartoonish archenemy determined to stop her. Super Evil Nemesis aims at world domination by halting the spread of knowledge. He sends his minion, Mr. Opposition, to thwart young Maria Skłodowska. Try as he might, Mr. O fails. Maria excels at her studies; after high school, since universities are closed to women, she pursues her lessons secretly. Moving to Paris, she adopts the name Marie and earns degrees in physics and math. After Marie marries Pierre Curie, the two collaborate, winning the Nobel Prize in physics in 1903 with Henri Becquerel. In 1911, Marie wins another Nobel—for chemistry. This is a fact-filled, admiring examination. Unfortunately, however, her casting as a superheroine against a comic-book stock villain trivializes her. Not helping is the author’s breathless, demeaning remark that “She even loves mathematics and physics!” to demonstrate Curie’s youthful studiousness. Colorful and child-appealing, though static, illustrations feature humans resembling wide-eyed, pink-cheeked marionettes (all present white). Nemesis is a blue, sharp-toothed figure with striped horns and a crown; Mr. O is a red, four-legged, spiny-backed, counterintuitively cute creature sporting a fedora. Numerous “ALERT!” sidebars, a glossary, and a timeline bolster the factual load.
Scientific genius is a superpower of its own and does not need this pandering treatment. (websites) (Picture book/biography. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-7282-1356-9
Page Count: 48
Publisher: Sourcebooks eXplore
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Alice Hemming ; illustrated by Nicola Slater ‧ RELEASE DATE: July 28, 2026
More fun antics to satisfy returning fans and snag new ones.
Not even the arrival of autumn can cool down this impetuous squirrel.
Although Squirrel is skeptical about Bird’s vegetable patch (“Nothing is HAPPENING!”), Bird does produce five (count them) lovely pumpkins. Squirrel picks out a favorite: “The enormous orange one.” Bird hints that Squirrel might want to help out; Squirrel sets out to fetch some work gloves and returns to find only four pumpkins. The frequently distracted Squirrel notices more gourds disappearing and leaps to the conclusion that a thief is near. And where’s Bird?! Has Squirrel’s pal also been taken? Diligently detecting, Squirrel finds clues—peck marks, footprints, and more—and produces a sketch of the suspect. As readers will guess, each clue turns out to point to one of Squirrel and Bird’s friends. Turns out Bird was delivering pumpkins to their pals while saving the big one to give to “my very best friend,” Squirrel. But why does Squirrel haul it up a tree? “So the Pumpkin Thief can’t find it, of course!” A page of pumpkin facts provides the learning component common to all titles in this series. Once more, readers will enjoy the pleasure of prediction and repetition, Squirrel’s silly persistence, Bird’s generosity, and the vibrant color illustrations, balancing orange with green.
More fun antics to satisfy returning fans and snag new ones. (Picture book. 4-8)Pub Date: July 28, 2026
ISBN: 9781464268076
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 11, 2026
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by Katheryn Russell-Brown ; illustrated by Frank Morrison ‧ RELEASE DATE: July 1, 2014
Readers will agree that “Melba Doretta Liston was something special.”
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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