A solid and gleeful dose of ridiculousness.
It’s not called horseplay for nothing.
Farmer is the unhappy owner of a “worthless bunch” of horses that sleep all day. What gives with these narcoleptic nags, he wonders, so he hides out that night to spy on them, discovering the horses spend the night monkeying around—call it horseplay, with the emphasis on play. Wilson’s rhymed text is just as merry as her subjects: “Those horses didn’t sleep one bit. / They frolicked on the loose. / They joined in games like Hide-and-Seek, / Leapfrog, and Duck, Duck, Goose.” But her Farmer is a killjoy, ready to throw his wet blanket on the herd for some reason; surely he doesn't want them to work for their oats. Night after night the horses thwart his party-pooping, until finally he stops the horseplay by staying up all night, which makes him one of those worthless types that sleep all day. The mood here is of subversive festivity, with a rolling, melodious pleasure to the words and a gratifying, easy quality to McMullan’s artwork, with its 1950s feel and eye-comforting colors. The horses even learn that a good night’s sleep doesn’t cut into their horseplay.
A solid and gleeful dose of ridiculousness. (Picture book. 3-6)Pub Date: June 5, 2012
ISBN: 978-0-316-93842-6
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: April 1, 2012
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
The runaway cookie in this Mexican bakery is a soft, brown, stubby-tailed piglet as impertinently bold and smug in his continual escape as his Gingerbread Boy cousin. “Chase me! Chase me down the street. But this is one piggy you won’t get to eat! / ¡Córrele, córrele! ¡Y Córrele más! ¡Soy el cochinito que jamás comerás!” This bouncy dual refrain extends the familiar cumulative text, rendered in both English and Spanish, as piggy manages to elude Marta the baker, Lorenzo the mechanic, Mamá Nita the beautician, Joaquín the telephone repairman and a host of other neighborhood adults—until he is outsmarted by Rosa, a little girl on her way to school, who foxily “helps him” cross the street. Safely tucked into her backpack, piggy is both a welcome surprise and an excuse for Rosa’s lateness to class. Deep opaque acrylic paintings of a colorful barrio and its residents in pursuit add the right amount of cultural flavor to this vivid Latino retelling. Recipe appended. (Picture book. 3-6)
Pub Date: Nov. 30, 2010
ISBN: 978-1-55885-586-1
Page Count: 32
Publisher: Piñata Books/Arte Público
Review Posted Online: Sept. 24, 2010
Kirkus Reviews Issue: Oct. 15, 2010
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