A historically astute tale with deep emotional impact.
An engineer working for an illicit labor union risks his life to secure their funds in Lagodzki’s novel.
In 1982, Antoni Adamczyk (he prefers to go by Antek) is an engineer in Frombork, Poland, living under martial law imposed by the Soviet Union. He works for the local union chapter of Solidarity—a group that opposes the Soviet occupation—as its treasurer, in charge of the $20,000 he’s securely hidden in Zygmuntowo. When he runs afoul of the authorities, he is imprisoned, though the money remains safe. Antek is given a fraught chance at freedom—he declares that this is all he really wants for himself and his future children—by Roman Stelmach, a major in the Bezpieka, the secret police. Roman allows Antek to escape so he will lead him to the money, a sum that will allow Roman to begin his life afresh in Rio de Janeiro. In this riveting tale, sleepy Zygmuntowo is the stage for an anxious, gathering intrigue—there, a telephone operator, Emilia Sokołowska, finds herself entrusted with the money and suddenly becomes a potential target of Roman and his henchmen as well. Emilia is an extraordinary character, an artfully drawn symbol of Poland’s humiliation under Soviet despotism—she is reduced to spying on the phone calls of others, cataloging their “sin, love, and banality” and reporting them to the police. She falls in love with her best friend, Kalina, who is being repeatedly raped by her father, Pan Zalewski. Emilia hatches a plan to exact revenge upon Pan called Operation Pig, which is to be executed with another of her closest friends, Agata, also the victim of his sexual abuse. Emilia’s mother is a Communist Party functionary, and as a result she enjoys a certain measure of protection from the authorities, but Emilia is finally drawn into a predicament that her mother will not be able to extricate her from.
Lagodzki’s depiction of Poland’s plight is both subtle and luridly vivid; every significant character, including Roman (ostensibly an enforcer of tyranny), longs to be delivered into liberty. Roman might be the novel’s most complex character. In his youth, he planned on becoming an architect, but once his girlfriend, Bernadeta, became pregnant, he was compelled to drop out of school and find work with the Bezpieka; he’s an ordinary man endowed with an opportunistic nihilism. Emilia is a tantalizingly rich character as well, a moving example of the ways in which totalitarianism makes a private life distinct from political reality simply impossible. While the novel is politically savvy, the two main plots are essentially affecting love stories—the love of Emilia for Kalina and of Antek for his wife, Dorota. Here, the author captures the tender shock of electricity Kalina catalyzes in Emilia’s heart, setting off a conflagration of ungovernable emotion: “Did the desire to kiss Kalina make her a freak? As if the missed masses and holy communions had accumulated to mount a set of devil’s horns on her forehead. Horns or not, if she had any money, she would have given all of it to Kalina just to see her smile.” Lagodzki’s prose is as powerful as his plot is gripping.
A historically astute tale with deep emotional impact.Pub Date: Aug. 20, 2024
ISBN: 9798888192061
Page Count: 228
Publisher: Milford House Press
Review Posted Online: Sept. 26, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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