A historically astute tale with deep emotional impact.
An engineer working for an illicit labor union risks his life to secure their funds in Lagodzki’s novel.
In 1982, Antoni Adamczyk (he prefers to go by Antek) is an engineer in Frombork, Poland, living under martial law imposed by the Soviet Union. He works for the local union chapter of Solidarity—a group that opposes the Soviet occupation—as its treasurer, in charge of the $20,000 he’s securely hidden in Zygmuntowo. When he runs afoul of the authorities, he is imprisoned, though the money remains safe. Antek is given a fraught chance at freedom—he declares that this is all he really wants for himself and his future children—by Roman Stelmach, a major in the Bezpieka, the secret police. Roman allows Antek to escape so he will lead him to the money, a sum that will allow Roman to begin his life afresh in Rio de Janeiro. In this riveting tale, sleepy Zygmuntowo is the stage for an anxious, gathering intrigue—there, a telephone operator, Emilia Sokołowska, finds herself entrusted with the money and suddenly becomes a potential target of Roman and his henchmen as well. Emilia is an extraordinary character, an artfully drawn symbol of Poland’s humiliation under Soviet despotism—she is reduced to spying on the phone calls of others, cataloging their “sin, love, and banality” and reporting them to the police. She falls in love with her best friend, Kalina, who is being repeatedly raped by her father, Pan Zalewski. Emilia hatches a plan to exact revenge upon Pan called Operation Pig, which is to be executed with another of her closest friends, Agata, also the victim of his sexual abuse. Emilia’s mother is a Communist Party functionary, and as a result she enjoys a certain measure of protection from the authorities, but Emilia is finally drawn into a predicament that her mother will not be able to extricate her from.
Lagodzki’s depiction of Poland’s plight is both subtle and luridly vivid; every significant character, including Roman (ostensibly an enforcer of tyranny), longs to be delivered into liberty. Roman might be the novel’s most complex character. In his youth, he planned on becoming an architect, but once his girlfriend, Bernadeta, became pregnant, he was compelled to drop out of school and find work with the Bezpieka; he’s an ordinary man endowed with an opportunistic nihilism. Emilia is a tantalizingly rich character as well, a moving example of the ways in which totalitarianism makes a private life distinct from political reality simply impossible. While the novel is politically savvy, the two main plots are essentially affecting love stories—the love of Emilia for Kalina and of Antek for his wife, Dorota. Here, the author captures the tender shock of electricity Kalina catalyzes in Emilia’s heart, setting off a conflagration of ungovernable emotion: “Did the desire to kiss Kalina make her a freak? As if the missed masses and holy communions had accumulated to mount a set of devil’s horns on her forehead. Horns or not, if she had any money, she would have given all of it to Kalina just to see her smile.” Lagodzki’s prose is as powerful as his plot is gripping.
A historically astute tale with deep emotional impact.Pub Date: Aug. 20, 2024
ISBN: 9798888192061
Page Count: 228
Publisher: Milford House Press
Review Posted Online: Sept. 26, 2024
Kirkus Reviews Issue: Nov. 15, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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