An atmospheric treat for readers who don’t suffer from squeamishness.
Teen musicians end up stranded at a haunted house that’s out of an urban legend.
After their car breaks down on the way to a music festival, Haden Romero and her Phantomic bandmate and best friend, Kizi Kennedy-Oshima, have to hitch a ride on the tour bus belonging to Haden’s childhood reality show co-star and nemesis, Deacon Rex, who’s originally from London. Making things worse, Deacon’s band has a new drummer: Cairo Martin, former Phantomic member and Haden’s ex-girlfriend. The bus goes off course and crashes, separating the teens and dumping them in a canyon near a swamp where mysterious white gravel paths lead to a lit-up manor house. From interstitial chapters, readers get glimpses of the house’s supernatural history and clues to the danger the characters are in, even as they try to rationalize their increasingly disturbing experiences. As well as delightfully deployed slow-burn haunted-house fare, such as signs that someone else is in the house with them, the text revels in body horror; sensitive readers are warned away by the detailed content note preceding the story. The story delves into complicated friendship dynamics and what motivates the young people’s dreams of stardom. Interludes describing found footage prevent the claustrophobia from becoming stale, and the ending is bold and definitive. Deacon is white, Cairo is Black, Kizi presents Japanese American and white, and Haden’s surname may cue her as Latine.
An atmospheric treat for readers who don’t suffer from squeamishness. (Horror. 15-adult)Pub Date: Oct. 7, 2025
ISBN: 9780063355248
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
A descriptive and atmospheric paranormal social thriller that could be a bit tighter.
After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.
Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.
A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)Pub Date: Sept. 26, 2023
ISBN: 9781250868138
Page Count: 384
Publisher: Feiwel & Friends
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
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