THE MAGIC BRUSH

A STORY OF LOVE, FAMILY, AND CHINESE CHARACTERS

In Chinese folklore, the theme of the artist who brings paintings to life is told again and again. In this contemporary family story, Agong (“Grandfather”) teaches his Chinese-American granddaughter Jasmine calligraphy as he creates mythological creatures and wonderful worlds for Jasmine to explore while Tai-Tai, her little brother, naps. After Agong dies, she shares the skill with Tai-Tai so they can re-create their wonderful artist-grandfather. There’s a lot to absorb here, and backmatter to accommodate: Chinese characters, pronunciation of Chinese words in the afterword (although the tones will be hard to repeat, despite the patient explanations) and the description of Chinese delicacies mentioned in the text. The short history of paper-cuts (used in the illustrations, along with rubber stamps and ink) will probably appeal more to adults than children. The flat designs incorporate both printed papers and key characters (which also appear in the page corners), but they never really bounce to life the way that they do in more traditional Chinese tales. Heartfelt and quite lovely, but not magical. (Picture book. 4-7)

 

Pub Date: Jan. 1, 2011

ISBN: 978-0-8027-2178-5

Page Count: 40

Publisher: Walker

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Nov. 15, 2010

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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PANDA KISSES

When a young panda asks each of his parents for a kiss, they give him choices: “A soft kiss? / A sweet kiss? / A sticky bamboo treat kiss?” High or low, in the sun or the rain, from a bunny or a fish? In the end the young panda determines that “There are many kisses that will do! / But the best kiss is—from both of you!” A large font, rhythm and rhyme, picture clues and a low word count per page will help emergent readers succeed. Widdowson’s bright illustrations scatter Chinese elements throughout, adding international flair, and sprinkle other animals exchanging smooches for extra interest. A sweet treat to share with a beginning reader. (Early reader. 4-7)

Pub Date: Dec. 9, 2008

ISBN: 978-0-375-84562-8

Page Count: 32

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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