Though some fans of the characters may be satisfied, this finale doesn’t fulfill the promise of the series’ highly original...
The struggle for hybrid rights goes very public in the conclusion to Zhang’s dystopian trilogy.
In the aftermath of the Powatt bombing, Eva, Addie and their fellow fugitive hybrids are more notorious and hunted than ever. Nevertheless, when capture and arrest begin to seem inevitable, Eva and Addie, sisters who inhabit the same body, refuse to seek refuge overseas. Instead they strike a deal with Marion, an ambitious journalist who wants to air an exposé of hybrid institutions. Marion promises to arrange for the release of Addie’s beloved, Jackson, if the sisters go undercover to film the footage she wants. Zhang deftly portrays the horrors of institutional life, and her writing shines when she focuses on Eva and Addie’s sisterhood and their interactions with their family and friends. Their tense relationship with Bridget, a returning character from the series opener, What’s Left of Me (2012), is a highlight of the novel. The limits of Zhang’s worldbuilding and plotting, however, become apparent as the narrative focuses more on the public political fight for hybrid rights. Eva and Addie’s increasingly prominent role in the hybrid movement strains credulity, and much of the denouement seems improbable and overtidy.
Though some fans of the characters may be satisfied, this finale doesn’t fulfill the promise of the series’ highly original premise. (Dystopian adventure. 13-17)Pub Date: Sept. 16, 2014
ISBN: 978-0-06-211493-8
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
Returning fans, anyway, will pounce.
Houck kicks off a new story arc in the world of the Tiger’s Curse series with new tigers who live in a northerly setting.
The death of their widowed royal mother touches off a crisis in the Kievian Empire; neither Stacia nor Verusha Stepanov, 17-year-old sword-wielding twin sisters, wants to be named tsarina. But questions of succession get put on hold when a battle with a sorcerer inexplicably turns the two into nonspeaking Siberian tigers. Hints of a cure send them, along with a growing entourage of men to provide assistance (and, perforce, do all the talking), on a long trek. Though most of the cast sticks to genre type, Houck throws in a wild card in the form of hunky, inarticulate Nikolai, who joins the quest because he is enthralled by Verusha—and who also killed his whole family in an act of revenge. Occasional anachronistic dialogue (e.g., “Are you ready, ladies?”) disrupts the tale’s generally earnest tone, as do the clumsy attempts at banter. A third tiger, snarky and blind but conveniently able to see through others’ eyes, trots in late in the story. The events in this setup volume unfold with many a flashback and change in point of view and head toward no sort of resolution—only the cave-dwelling White Shaman of the Tundra’s advice that further journeys are in the offing. The central cast in this Russian-inspired fantasy world presents white; the Indigenous population includes nomadic reindeer herders.
Returning fans, anyway, will pounce. (Fantasy. 13-16)Pub Date: Sept. 10, 2024
ISBN: 9798212221696
Page Count: 350
Publisher: Blackstone
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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