Well-crafted commercial fiction displaying intelligence and nuance as Julie ponders Hollywood’s dizzying fantasy/reality...
Sticking to her formula of situating imaginary characters in historical events (The Daring Ladies of Lowell, 2014, etc.), Alcott sends her feisty heroine to observe the filming of Gone With the Wind.
At first, it looks as though Julie Crawford will be packing her bags to go back to Fort Wayne, Indiana; she’s delayed as she hurries to the burning of Atlanta to deliver a message from the studio to David Selznick, and the producer fires her on the spot. Fortunately, Julie has caught the eye of assistant producer Andy Weinstein, who introduces her to a fellow Fort Wayne refugee: screwball comedy queen Carole Lombard, whose open affair with still-married GWTW star Clark Gable is making Selznick very nervous. Soon Julie is Lombard’s personal assistant and having regular dinners with handsome, intense Andy. The fact that she’s dating a Jew, Julie is well-aware, would appall her parents, who are already unhappy that she’s dumped her high school sweetheart to pursue a career as a screenwriter. Alcott makes good use of her research to portray the turbulent GWTW shoot, Lombard’s earthy personality and genuine love for the equally no-BS Gable, and Julie’s introduction via Andy to the more intellectual side of Hollywood culture (a Herman Mankiewicz dinner party; a meeting with her idol, pioneering screenwriter Frances Marion). Julie and Andy’s tender but bumpy affair is also nicely depicted. Consumed with anxiety for his grandparents in Nazi Berlin, furious when he confronts anti-Semitism in America, he plans to leave Hollywood’s dream factory; he’s supportive of Julie’s ambitions but unsure that she’s got the backbone to stand by him or to stand up to her parents about their relationship. Their ups and downs are slightly contrived, but Alcott’s canny blend of Hollywood lore and a strong personal story is ultimately effective.
Well-crafted commercial fiction displaying intelligence and nuance as Julie ponders Hollywood’s dizzying fantasy/reality disconnect.Pub Date: Feb. 17, 2015
ISBN: 978-0-385-53904-3
Page Count: 304
Publisher: Doubleday
Review Posted Online: Nov. 28, 2014
Kirkus Reviews Issue: Dec. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PROFILES
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
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