A fascinating, harrowing, unforgettable book about a place few outsiders can comprehend.
An ambitiously complex graphic narrative of a Nova Scotian woman’s experience working in the oil sands of Fort McMurray, Alberta.
Known primarily as the creator of the web-based comic series “Hark! A Vagrant,” Beaton moves to memoir with this examination of the two years she spent working in the oil sands to pay off her student loans. The author begins with an introduction to her home in Cape Breton, where the people have “a deep love for home, and the knowledge of how frequently they will have to leave it to find work somewhere else. This push and pull defines us. It’s all over our music, our literature, our art, and our understanding of our place in the world.” On the surface, the book is a chronicle of the three years following the author’s college graduation (she also spent a year working at the Maritime Museum of British Columbia), but Beaton captures much more than her personal story. She delves deep into the milieu of Fort McMurray, highlighting the complex relationships among the work camps, the oil companies, and the people living and working there. As the author recounts her time through several jobs, companies, and locations, she alternates the narration between the daily grind of the workers and the vistas of startling beauty surrounding them. She introduces each section by location and includes a list of the characters by job and home province, and she is careful to incorporate issues related to the local Indigenous peoples. After all, she writes, “the oil sands operate on stolen land.” Beaton captures numerous poignant, sometimes heartbreaking moments throughout the book, but the cumulative effect of her many stories is even more impressive. She creates an indelible portrait of environmental degradation, fraught interpersonal relationships among a workforce largely disconnected from home, and greedy corporations that seem only vaguely aware of the difficult work’s effect on their employees.
A fascinating, harrowing, unforgettable book about a place few outsiders can comprehend.Pub Date: Sept. 13, 2022
ISBN: 978-1-77046-289-2
Page Count: 448
Publisher: Drawn & Quarterly
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
A delightful exploration of navigating the bumpy road to adulthood.
A story of a long-overdue Sapphic coming-of-age.
Through an autobiographical graphic narrative that is at times hysterically funny and at times gut-wrenching, readers follow Mieri, a young Japanese woman living in the U.S. From the lesbian characters in anime that she crushed on to the first real girl Mieri was attracted to, she’s known for a while that she likes butch girls. The fact that she sees fewer butch x butch relationships won’t stop her from trying to find a girlfriend even though the path, in person and on dating apps, is fraught with challenges. After she goes to visit her grandparents, Mieri meets Ash, a White American teaching English in Japan who becomes her first girlfriend. It starts out great: College sophomore Mieri experiences the stress and rewards of making the first move and even has her first kiss. But a month later, Ash breaks up with her, Mieri’s parents get divorced, and her grandparents learn about and aren’t cool with her sexuality. Worst of all, she can’t stop thinking about Ash. As Mieri navigates the aftershocks of the breakup, she also grows into maturity. The book has impeccable pacing and is engaging from start to finish. The humorous art enhances the narrative in a meaningful way, especially in portraying Mieri’s own emotional journey.
A delightful exploration of navigating the bumpy road to adulthood. (extra panels, author’s note, creating a manga, Q&A, bonus gallery) (Manga. 14-adult)Pub Date: Feb. 14, 2023
ISBN: 9781974736591
Page Count: 208
Publisher: VIZ Media
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
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