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THE PRINCESS AND THE PONY

Instead of breaking bones, this warrior princess breaks the mold—and Beaton is in a class of her own.

A half-pint warrior princess wants a battle-ready horse for her birthday but instead receives a little farting pony—who brilliantly defies all expectation.

Pinecone is small and young, and normally she receives cozy sweaters for presents, but she has a warrior’s determination. With this, she attempts to train her sweet, round pony—but to no avail. They are clearly outmatched at the big battle, yet Pinecone shows her mettle, and under the pony’s innocent gaze, hardened warriors melt into sweater-wearing softies. The artist’s digital illustrations, done in an earthy palette, have a warm, handcrafted feel. As majestic horses, iconic warriors (from Genghis Khan to Robin Hood), and cool tools are juxtaposed with Pinecone and her vacant-eyed pony, differences in stature, weaponry, and achievement are cleverly emphasized. Cinematic in layout and perfectly set-dressed, each page will elicit a new round of giggles. Beaton blurs the boundaries of traditional storytelling, marrying fantasy elements to pop culture with a free-associative swagger. This emerging genre, with its zinelike irreverence and joyful comedy, is hip, modern, and absolutely refreshing. Where else can readers find hipster warriors, anime influences, perfectly placed fart jokes, a hidden ugly-sweater contest, and a skirmish packed with delightful nonsense (llamas! knights! hot dogs! turtle costumes!)—and have it all make such wonderful sense?

Instead of breaking bones, this warrior princess breaks the mold—and Beaton is in a class of her own. (Picture book. 3-8)

Pub Date: June 30, 2015

ISBN: 978-0-545-63708-4

Page Count: 40

Publisher: Levine/Scholastic

Review Posted Online: March 16, 2015

Kirkus Reviews Issue: April 1, 2015

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LOVE FROM THE VERY HUNGRY CATERPILLAR

Safe to creep on by.

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 1, 2021

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