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OPULENCE AND ASHES

The several mysteries are greatly enhanced by social commentary and the unsettling feeling that the battle continues.

Now engaged to be married, reporter Genevieve Stewart and philanthropist Daniel McCaffrey fight for their lives against powerful forces in New York City.

Genevieve grew up in a well-to-do society family with a feminist mother interested in societal problems. Daniel started life in a poor Irish family but by chance became heir to a fortune and was educated at the best schools. In April 1890, both are working to improve life for the poor. At a party for Daniel’s charity, the Society to Aid Social Ills, Genevieve and their friend Rupert Milton notice someone watching her. When they confront the watcher, he claims to be Daniel’s long-lost brother, Connor. Daniel wants to believe that Connor really is his brother, but knows he may be a fraud. As he continues to investigate his past, he and Genevieve are drawn into the investigation of a series of arson attacks on progressive institutions. Among the targets is Daniel's photographer friend Dagmar Hansen, whose studio is burned to the ground while Daniel is examining his images of sweatshops; the two men barely escape with their lives. Genevieve, who has won her editor's grudging permission to write a story about a fire at the Sunflower Mission House, also is put in danger after she learns that the mission was supplying residents with contraceptives, illegal under the draconian Comstock Act. Seeking information about birth control for herself puts her in a precarious situation. Their investigations make it clear to both that money rules the world and that many of those who have it will do unspeakable things to keep it.

The several mysteries are greatly enhanced by social commentary and the unsettling feeling that the battle continues.

Pub Date: Oct. 17, 2023

ISBN: 9781639105304

Page Count: 336

Publisher: Crooked Lane

Review Posted Online: Aug. 25, 2023

Kirkus Reviews Issue: Sept. 15, 2023

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

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  • New York Times Bestseller

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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