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THE GIRL IN THE CASTLE INSIDE THE MUSEUM

The princess-like girl of the title is lonely within her idyllic, sequestered world until she is visited by children, either in dreams or in reality. Her solution is to address readers directly and ask for a picture to hang in her solitary castle to “keep her company in a magical world.” Written by an eloquent fairy-tale writer-scholar and illustrated by a much-honored picture-book artist, this defies easy definition. Clearly “the museum” represents the metaphorical archive where fairy-tale collections regrettably gather dust, and this enigmatic tale is a plea for children to enter their immutable worlds within worlds, lest the tales be isolated and lost forever. The text is grandly supported by Ceccoli’s chimerically beautiful paintings rendered in acrylic, which depict the girl’s phantasmagorical world. A bit of a mystical allegory, but also an invitation too good to decline for the fairy-tale lovers among us. (Picture book. 4-8)

Pub Date: Feb. 12, 2008

ISBN: 978-0-375-83606-0

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2008

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THE FIVE FINGERS AND THE MOON

Kurt's fairy tale takes place in Elsewhere, beyond the horizon, with its queen and assorted dwarves, brownies, elves, and other kindred souls. They sleep by day and live by night in the light of the moon. When the moon stalls one night, Elsewhere's citizens panic: The grain will stop growing, the cows will stop giving milk, etc. The five fingers are summoned (`` `There's nothing the five fingers of the hand can't do,' said an old fairy with a bent back'') and they go about working their various talents—Thumbkin's strength, Pointer's thieving, Long Man's height, Gold Man's healing, and Pinkie's storytellingto set the community to rights. Fantastical, problematical, and portentousthis is good solid folk material, with a suitably peculiar cast of characters. Blau, in his first book, brings out the story's eccentricities in craggy, shadowy illustrations, wrapped in color and tinged with menace; it's hard to care about this odd place, Elsewhere, but the illustrations have the austere beauty of a light in darkness. (Picture book/folklore. 5-8)

Pub Date: Sept. 15, 1997

ISBN: 1-55858-801-9

Page Count: 32

Publisher: NorthSouth

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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WHY?

In a spirited book, Camp grabs the notion of a child’s endless inquisitiveness and takes it for a quick spin. Lily, a little charmer that Ross has drawn as an explosion of red hair, drives her father crazy with her question. Why does the breakfast egg need one more minute? Why must they not forget to pick up garbage bags at the store? Why are there rain clouds? One day, just as her father shows signs that his limit has been exceeded, a giant Thargon spaceship appears at the playground and threatens to annihilate Earth. Lily poses a “Why?” or two, and the Thargons return home for the answers, leaving Earth intact. Lily’s questioning saves the day, but it’s no joke; the urge to understand, for her and children like her, is a survival instinct. (Picture book. 4-8)

Pub Date: June 1, 1999

ISBN: 0-399-23396-2

Page Count: 32

Publisher: Putnam

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 1999

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