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STONE CREEK

A moving coming-of-age novel that blends thrills and heartfelt familial drama.

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In Brandes’ thriller, a young woman must come to terms with her father’s violent past and reconcile with her role in it.

Soon after 30-year-old Tilly Stone’s father, Frank, appears on her doorstep, near the Pennsylvania–New Jersey border, the carefully constructed world she’s built for herself starts to crumble. Seventeen years ago, she was his dutiful disciple; they traveled the country, full of determination to wake up the world to the evils of technology and corporate greed. Their targets were dams, and their explosives were designed not to kill, but to ignite righteous fury. She worshipped her father then, and his mission was hers. Then, one fateful summer, Frank brought Tilly back to his childhood home—the cabin where she’d been born—and promised her that they’d stay there. While he worked as a maintenance person in town, she built a small model cabin from wood scraps and found a passion for woodworking; she also made her first real friend in Henry, a gentle boy her own age. But one night, Frank didn’t come home. She survived, as he’d taught her, and as the years passed, she became a talented furniture maker and forged more connections with others, including Henry’s young son, Finn. She also suffered through visits from the FBI and from fans of her well-known father. Meanwhile, she becomes disillusioned about Frank’s mission, and his reappearance forces her to contend with her past. This hard-to-define novel tugs at the heartstrings and shocks the senses in equal measure. Brandes writes in a gentle, descriptive style, filled with the glories of nature and the darkness of a lonely, isolated life. Tilly’s fierce intelligence and perseverance suggest shades of Delia Owens’ Where the Crawdads Sing and Harper Lee’s To Kill a Mockingbird. Readers will feel deeply for her during her long, arduous emotional journey, but Brandes’ skill also makes it possible to feel empathy for Frank and his cause, even if readers deplore his actions. Ultimately, this is a novel about finding a balance between loving someone and recognizing that sometimes love can be misplaced.

A moving coming-of-age novel that blends thrills and heartfelt familial drama.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Wyatt-MacKenzie Publishing

Review Posted Online: May 7, 2024

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  • New York Times Bestseller

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WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

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  • New York Times Bestseller

A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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