The novel introduces many complicated topics—from sexual assault to issues of class and race—but fails to address them...
Unrequited love and family tragedy destroy Matt and Raychel’s friendship.
Raychel’s childhood friendship with Matt slowly evolves until by their senior year, she’s been nearly adopted by his family. But Matt’s narration reveals that he already considers Raychel “his girl” and believes that declaring his feelings will inevitably lead to romance. However, he’s also clearly bothered by Raychel’s drinking, party hookups, and acceptance that she may have to attend an inexpensive local college rather than one near his own first choice. Soon his interactions with her seem almost Pygmalion-esque. Raychel senses that Matt’s attitude of superiority sometimes stems from his wealthy, white background, whereas she’s “poor white trash from the Delta,” so it’s not entirely surprising when his less-judgmental younger brother, Andrew, ends up successfully romancing Raychel. Her relationship with both brothers is derailed when they misinterpret white classmate Carson’s sexual assault of Raychel at a party as consensual. Over the course of the novel, Raychel’s interactions with Carson raise important questions about what it means to consent to sexual activity, though the provided answers lack nuance. In similar fashion, the exploration of race posed by Indian-American friend Asha’s romance with African-American Spencer doesn’t go as far as it could. Eventually a buildup of communication breakdowns leads to tragedy.
The novel introduces many complicated topics—from sexual assault to issues of class and race—but fails to address them thoroughly. (Fiction. 14-18)Pub Date: Jan. 24, 2017
ISBN: 978-0-374-30269-6
Page Count: 336
Publisher: Farrar, Straus and Giroux
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 15, 2016
A great read offering entertainment, encouragement, and plenty to reflect upon.
A gay teen contends with time travel—and homophobia through the decades.
All Cuban American Luis wants is to be prom king with his boyfriend, but tiny upstate New York boarding school Antic Springs Academy, with its strict, Christian code of conduct, won’t even let them hold hands in public. After a disastrous prom committee meeting at which his attempt to make the event welcoming of queer couples is rejected by the principal, Luis gets quite literally knocked into the past—specifically, ASA in the year 1985. There he meets Chaz, a Black student who attended the school at the same time as Luis’ parents and who died under mysterious circumstances after being bullied for his sexuality. Luis now faces a choice between changing the past to help Chaz and preserving his own future existence. Fortunately, he has Ms. Silverthorn, a Black English teacher and beloved mentor, who offers him support in both timelines. The narrative explores the impacts of homophobia and being closeted, remaining optimistic without shying away from the more brutal aspects. Luis is a multifaceted character with an engaging voice whose flaws are confronted and examined throughout. The solid pacing and pleasant, fluid prose make this a page-turner. Luis’ boyfriend is cued as Chinese American, and his best friend is nonbinary; there is some diversity in ethnicity and sexuality in background characters, although the school is predominantly White.
A great read offering entertainment, encouragement, and plenty to reflect upon. (author's note) (Fiction. 14-18)Pub Date: Jan. 4, 2022
ISBN: 978-1-5476-0710-5
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come.
A heady blend of courtly double-crossing, Faerie lore, and toxic attraction swirls together in the sequel to The Cruel Prince (2018).
Five months after engineering a coup, human teen Jude is starting to feel the strain of secretly controlling King Cardan and running his Faerie kingdom. Jude’s self-loathing and anger at the traumatic events of her childhood (her Faerie “dad” killed her parents, and Faerie is not a particularly easy place even for the best-adjusted human) drive her ambition, which is tempered by her desire to make the world she loves and hates a little fairer. Much of the story revolves around plotting (the Queen of the Undersea wants the throne; Jude’s Faerie father wants power; Jude’s twin, Taryn, wants her Faerie betrothed by her side), but the underlying tension—sexual and political—between Jude and Cardan also takes some unexpected twists. Black’s writing is both contemporary and classic; her world is, at this point, intensely well-realized, so that some plot twists seem almost inevitable. Faerie is a strange place where immortal, multihued, multiformed denizens can’t lie but can twist everything; Jude—who can lie—is an outlier, and her first-person, present-tense narration reveals more than she would choose. With curly dark brown hair, Jude and Taryn are never identified by race in human terms.
A rare second volume that surpasses the first, with, happily, more intrigue and passion still to come. (map) (Fantasy. 14-adult)Pub Date: Jan. 8, 2019
ISBN: 978-0-316-31035-2
Page Count: 336
Publisher: Little, Brown
Review Posted Online: Sept. 29, 2018
Kirkus Reviews Issue: Oct. 15, 2018
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