A suburban drama built to leap from page to screen.
Possibilities and parallel lives collide in this debut novel about frustrated marriages, hidden desires, and environmental disaster.
When an emergency room pager disrupts Ginny, an ambitious surgeon, from her nighttime routine, she's surprised to look over and suddenly see her colleague Edith lying in bed—instead of her husband, Mark. "Ginny smells warm skin and damp sheets; she hears her own quickened breath....The woman reaches out, as if to stroke Ginny's hair. Then, in an instant, she's gone." Startled by this vision, Ginny seeks medical answers even as she pursues the desire it revealed. Meanwhile, Mark, an environmental scientist, struggles to gain the respect of his colleagues, who dismiss his obsessive research "on the connection between geothermal activity and animal behavior." (Perhaps it's because he gives his research project an unfortunate acronym: DAMN.) Compelled by an impending sense of doom he can't explain, Mark dives into the "prepper" communities of the Pacific Northwest and begins to build a backyard survival shelter for his family. Woven through the story of Ginny and Mark's crumbling marriage are the lives of their two neighbors, Samara, a young real estate agent still reeling from her mother's untimely death, and Cass, a young mother struggling to regain her footing as a philosophy Ph.D. after the birth of her daughter. Broken Mountain, a dormant volcano that "rises...misty green" above the town of Clearing, Oregon, looms over them all—giving off tremors that bring on visions of alternate realities. Day's first novel recalls the philosophical headiness of a TV show like Lost and remixes this sensibility with the chronological playfulness of Cloud Atlas or Atonement. But, until the story really takes off, the emotional stakes of the novel are low—and the prose feels flat and inert, almost like stage directions. There are more affecting moments in the second half of the book, like Samara's attempt to buy back her mother's effects from Goodwill: "The mound of miscellaneous things has grown almost as tall as she is. It looks heavy and dark and sad. You don't really want all that stuff, her mother's voice says. It was mine, and I didn't even want it." With all the atmospheric mist crowding out its emotional center, this book's heart is difficult to locate—but the occasional glimpses show promise.
A suburban drama built to leap from page to screen.Pub Date: March 12, 2019
ISBN: 978-0-525-51122-9
Page Count: 272
Publisher: Random House
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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