A suburban drama built to leap from page to screen.

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IF, THEN

Possibilities and parallel lives collide in this debut novel about frustrated marriages, hidden desires, and environmental disaster.

When an emergency room pager disrupts Ginny, an ambitious surgeon, from her nighttime routine, she's surprised to look over and suddenly see her colleague Edith lying in bed—instead of her husband, Mark. "Ginny smells warm skin and damp sheets; she hears her own quickened breath....The woman reaches out, as if to stroke Ginny's hair. Then, in an instant, she's gone." Startled by this vision, Ginny seeks medical answers even as she pursues the desire it revealed. Meanwhile, Mark, an environmental scientist, struggles to gain the respect of his colleagues, who dismiss his obsessive research "on the connection between geothermal activity and animal behavior." (Perhaps it's because he gives his research project an unfortunate acronym: DAMN.) Compelled by an impending sense of doom he can't explain, Mark dives into the "prepper" communities of the Pacific Northwest and begins to build a backyard survival shelter for his family. Woven through the story of Ginny and Mark's crumbling marriage are the lives of their two neighbors, Samara, a young real estate agent still reeling from her mother's untimely death, and Cass, a young mother struggling to regain her footing as a philosophy Ph.D. after the birth of her daughter. Broken Mountain, a dormant volcano that "rises...misty green" above the town of Clearing, Oregon, looms over them all—giving off tremors that bring on visions of alternate realities. Day's first novel recalls the philosophical headiness of a TV show like Lost and remixes this sensibility with the chronological playfulness of Cloud Atlas or Atonement. But, until the story really takes off, the emotional stakes of the novel are low—and the prose feels flat and inert, almost like stage directions. There are more affecting moments in the second half of the book, like Samara's attempt to buy back her mother's effects from Goodwill: "The mound of miscellaneous things has grown almost as tall as she is. It looks heavy and dark and sad. You don't really want all that stuff, her mother's voice says. It was mine, and I didn't even want it." With all the atmospheric mist crowding out its emotional center, this book's heart is difficult to locate—but the occasional glimpses show promise.

A suburban drama built to leap from page to screen.

Pub Date: March 12, 2019

ISBN: 978-0-525-51122-9

Page Count: 272

Publisher: Random House

Review Posted Online: Dec. 11, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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With humor and insight, Straub creates a family worth rooting for.

ALL ADULTS HERE

When Astrid Strick witnesses a school bus run over a longtime acquaintance of hers—Barbara Baker, a woman she doesn't like very much—it's only the beginning of the shake-ups to come in her life and the lives of those she loves.

Astrid has been tootling along contentedly in the Hudson Valley town of Clapham, New York, a 68-year-old widow with three grown children. After many years of singlehood since her husband died, she's been quietly seeing Birdie Gonzalez, her hairdresser, for the past two years, and after Barbara's death she determines to tell her children about the relationship: "There was no time to waste, not in this life. There were always more school buses." Elliot, her oldest, who's in real estate, lives in Clapham with his wife, Wendy, who's Chinese American, and their twins toddlers, Aidan and Zachary, who are "such hellions that only a fool would willingly ask for more." Astrid's daughter, Porter, owns a nearby farm producing artisanal goat cheese and has just gotten pregnant through a sperm bank while having an affair with her married high school boyfriend. Nicky, the youngest Strick, is disconcertingly famous for having appeared in an era-defining movie when he was younger and now lives in Brooklyn with his French wife, Juliette, and their daughter, Cecelia, who's being shipped up to live with Astrid for a while after her friend got mixed up with a pedophile she met online. As always, Straub (Modern Lovers, 2016, etc.) draws her characters warmly, making them appealing in their self-centeredness and generosity, their insecurity and hope. The cast is realistically diverse, though in most ways it's fairly superficial; the fact that Birdie is Latina or Porter's obstetrician is African American doesn't have much impact on the story or their characters. Cecelia's new friend, August, wants to make the transition to Robin; that storyline gets more attention, with the two middle schoolers supporting each other through challenging times. The Stricks worry about work, money, sex, and gossip; Straub has a sharp eye for her characters' foibles and the details of their liberal, upper-middle-class milieu.

With humor and insight, Straub creates a family worth rooting for.

Pub Date: May 5, 2020

ISBN: 978-1-59463-469-7

Page Count: 368

Publisher: Riverhead

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A daring concept not so daringly developed.

THE BOOK OF LONGINGS

In Kidd’s (The Invention of Wings, 2014, etc.) feminist take on the New Testament, Jesus has a wife whose fondest longing is to write.

Ana is the daughter of Matthias, head scribe to Herod Antipas, tetrarch of Galilee. She demonstrates an exceptional aptitude for writing, and Matthias, for a time, indulges her with reed pens, papyri, and other 16 C.E. office supplies. Her mother disapproves, but her aunt, Yaltha, mentors Ana in the ways of the enlightened women of Alexandria, from whence Yaltha, suspected of murdering her brutal husband, was exiled years before. Yaltha was also forced to give up her daughter, Chaya, for adoption. As Ana reaches puberty, parental tolerance of her nonconformity wanes, outweighed by the imperative to marry her off. Her adopted brother, Judas—yes, that Judas—is soon disowned for his nonconformity—plotting against Antipas. On the very day Ana, age 14, meets her prospective betrothed, the repellent Nathanial, in the town market, she also encounters Jesus, a young tradesman, to whom she’s instantly drawn. Their connection deepens after she encounters Jesus in the cave where she is concealing her writings about oppressed women. When Nathanial dies after his betrothal to Ana but before their marriage, Ana is shunned for insufficiently mourning him—and after refusing to become Antipas’ concubine, she is about to be stoned until Jesus defuses the situation with that famous admonition. She marries Jesus and moves into his widowed mother’s humble compound in Nazareth, accompanied by Yaltha. There, poverty, not sexism, prohibits her from continuing her writing—office supplies are expensive. Kidd skirts the issue of miracles, portraying Jesus as a fully human and, for the period, accepting husband—after a stillbirth, he condones Ana’s practice of herbal birth control. A structural problem is posed when Jesus’ active ministry begins—what will Ana’s role be? Problem avoided when, notified by Judas that Antipas is seeking her arrest, she and Yaltha journey to Alexandria in search of Chaya. In addition to depriving her of the opportunity to write the first and only contemporaneous gospel, removing Ana from the main action destroys the novel’s momentum.

A daring concept not so daringly developed.

Pub Date: April 21, 2020

ISBN: 978-0-525-42976-0

Page Count: 432

Publisher: Viking

Review Posted Online: Jan. 27, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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