A mixed bag for patient older teens.

READ REVIEW

RULES FOR VANISHING

What happened to Becca Donoghue?

Sara Donoghue never believed the rumors that her sister, Becca, simply ran away from home with her boyfriend. Becca had been obsessed with Lucy Gallows, the ghost from the 1950s who allegedly haunts their town, and the mysterious road that Lucy traveled on before she disappeared. Before Becca vanished too, the last thing Sara overheard her say was “We know where the road is. We’ve got the keys. That’s all we need to find her. I’m not backing down now. Not after everything we’ve done to get this close.” As the one-year anniversary of Becca’s disappearance approaches, Sara becomes desperate to discover what happened and how it may be related to the real Lucy. The setup is slow and complicated, with many diverse characters, relationships, and supernatural rules. While normally something to be celebrated, this diverse cast feels forced and inauthentic, like moons orbiting the main white protagonist, Sara (Becca is Asian—her ethnicity is never specified—and adopted). When the plot eventually picks up its pace, the story becomes quite engrossing and cleverly moves between its many narrators, characters, and plot twists. If readers can move past the long-winded and complicated setup, they will enjoy this mashup of The X-Files and the The Blair Witch Project, but those seeking a handy conclusion will likely be disappointed.

A mixed bag for patient older teens. (Mystery. 15-18)

Pub Date: Sept. 24, 2019

ISBN: 978-1-984837-01-1

Page Count: 416

Publisher: Viking

Review Posted Online: June 15, 2019

Kirkus Reviews Issue: July 15, 2019

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Perhaps a more genuinely enlightened protagonist would have made this debut more engaging

STALKING JACK THE RIPPER

Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.

The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.

Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)

Pub Date: Sept. 20, 2016

ISBN: 978-0-316-27349-7

Page Count: 336

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: June 1, 2016

Kirkus Reviews Issue: June 15, 2016

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A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a...

NOT EVEN BONES

From the Market of Monsters series , Vol. 1

An adolescent, yet Nietzschean, examination of humanity and horror.

Nita is a monster. Literally. She can heal her own wounds and even block her pain receptors. But she and her mother also deal in monsters, species regulated by the International Non-Human Police, selling their body parts on the black market. Her ghoulish mother hunts and kills, while Nita dissects them with a meditative grace, trying to think of herself as innocent. But when Nita’s conscience inconveniently prevents her from vivisecting a live specimen, she’s kidnapped and taken to the Amazon, caged by people in the same business. Menaced by a zannie (creatures that feed off physical pain) and a ruthless woman, Nita, who is mixed species (with a brown-skinned human father and a nonhuman mother), has to figure out how to escape and whether she has any morals to live by. The vivid setting, Mercado de la Muerte (one of several Death Markets worldwide) in a sweltering South American jungle populated by buyers, sellers, and sold, is matched by a zipping plot interspersed with deliciously horrifying and gory scenes of dismemberment and destruction. Equally intriguing is the constant musing on what makes a monster, how people respond to trauma and control, and how one’s choices affirm or deny one’s own humanity.

A slasher flick spliced with Crime and Punishment, this engrossing debut novel asks complex philosophical questions in a pleasingly hard-to-stomach way. (Fantasy. 15-adult)

Pub Date: Sept. 4, 2018

ISBN: 978-1-328-86354-6

Page Count: 368

Publisher: HMH Books

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: July 1, 2018

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