A deserving tribute to a designer who wanted only the best.
With flowers and fancy fabrics, Black fashion designer Ann Lowe created gowns for the rich and famous, breaking color barriers in dress design.
Messner and Powell chronicle Lowe’s story; from her Alabama childhood in a dressmaking family to a salon on New York City’s Madison Avenue, it’s a life of breaking racial barriers, where ugly incidents contrast with the soft fabrics, delicate lace, and sparkles. In New York in 1917, she took sewing lessons at the S.T. Taylor School but was forced to sew in a separate room, away from the White students. For years, her employers didn’t credit her work. Lowe is most famous for her dresses for Jacqueline Kennedy’s wedding, but even this climactic achievement is balanced with an account of confronting racism in her life—when Lowe arrived to deliver the dresses, she was told to use the back door but refused, threatening to take the gowns with her if she wasn’t allowed in through the front entrance. Fittingly, the final spread shows a triumphant Lowe with her own shop, where her name will appear on the labels as well as the door. Robinson’s digital art, full of textures, curves, and color, is perfectly suited to the subject, while Messner and Powell’s evocative, often alliterative text begs to be read aloud. (Powell had written her thesis on the designer and was in the process of organizing a museum exhibit of her gowns when she died.) (This book was reviewed digitally.)
A deserving tribute to a designer who wanted only the best. (author’s note, quotations, bibliography) (Informational picture book. 5-10)Pub Date: Oct. 18, 2022
ISBN: 978-1-4521-6160-0
Page Count: 56
Publisher: Chronicle Books
Review Posted Online: Sept. 13, 2022
Kirkus Reviews Issue: Oct. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston...
A memorable, lyrical reverse-chronological walk through the life of an American icon.
In free verse, Cline-Ransome narrates the life of Harriet Tubman, starting and ending with a train ride Tubman takes as an old woman. “But before wrinkles formed / and her eyes failed,” Tubman could walk tirelessly under a starlit sky. Cline-Ransome then describes the array of roles Tubman played throughout her life, including suffragist, abolitionist, Union spy, and conductor on the Underground Railroad. By framing the story around a literal train ride, the Ransomes juxtapose the privilege of traveling by rail against Harriet’s earlier modes of travel, when she repeatedly ran for her life. Racism still abounds, however, for she rides in a segregated train. While the text introduces readers to the details of Tubman’s life, Ransome’s use of watercolor—such a striking departure from his oil illustrations in many of his other picture books—reveals Tubman’s humanity, determination, drive, and hope. Ransome’s lavishly detailed and expansive double-page spreads situate young readers in each time and place as the text takes them further into the past.
A picture book more than worthy of sharing the shelf with Alan Schroeder and Jerry Pinkney’s Minty (1996) and Carole Boston Weatherford and Kadir Nelson’s Moses (2006). (Picture book/biography. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-0-8234-2047-6
Page Count: 32
Publisher: Holiday House
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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