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THE MAYFLOWER

From the History Smashers series , Vol. 1

Critical, respectful, engaging: exemplary history for children.

Adopting a casual, colloquial tone, Messner dismantles one received truth after another, drawing on a variety of resources and evidence to give readers the “real-deal story of the Mayflower” and its storied passengers.

Never underestimating the capacity of her readers, she begins with a brief history of the Reformation in England before following William Brewster’s group of separatists as they eventually made their way to the shores of Massachusetts and seized Wampanoag land for their colony. Shifting tone as appropriate, copious sidebars include a discussion on the relative reliability of primary sources, the inglorious history of Plymouth Rock, and modern efforts to reclaim the Wampanoag language, Wôpanâak. Quotations from primary sources are presented in an antique-looking display type and then translated into modern English: “ ‘[The mussels] caused us to cast and scour, but they were soon all well again.’ —Edward Winslow / Translation: They threw up and had diarrhea but felt better in a while.” Most notable is the care with which Messner covers relations between the Pilgrims and the Wampanoag; her description of first contact is brilliant in its refusal to cast the Indigenous people as other: “After [Myles Standish and his party had] gone about a mile, they saw five or six people and a dog.” Meconis’ humorous cartoons—sometimes presented as comics-style paneled sequences—complement archival illustrations, which readers are frequently invited to examine critically. The second in the History Smashers series,Women’s Right To Vote, publishes simultaneously.

Critical, respectful, engaging: exemplary history for children. (author's note, further reading, bibliography, index) (Nonfiction. 8-12)

Pub Date: July 7, 2020

ISBN: 978-0-593-12031-6

Page Count: 224

Publisher: Random House

Review Posted Online: April 30, 2020

Kirkus Reviews Issue: May 15, 2020

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OIL

Like oil itself, this is a book that needs to be handled with special care.

In 1977, the oil carrier Exxon Valdez spilled 11 million gallons of oil into a formerly pristine Alaskan ocean inlet, killing millions of birds, animals, and fish. Despite a cleanup, crude oil is still there.

The Winters foretold the destructive powers of the atomic bomb allusively in The Secret Project (2017), leaving the actuality to the backmatter. They make no such accommodations to young audiences in this disturbing book. From the dark front cover, on which oily blobs conceal a seabird, to the rescuer’s sad face on the back, the mother-son team emphasizes the disaster. A relatively easy-to-read and poetically heightened text introduces the situation. Oil is pumped from the Earth “all day long, all night long, / day after day, year after year” in “what had been unspoiled land, home to Native people // and thousands of caribou.” The scale of extraction is huge: There’s “a giant pipeline” leading to “enormous ships.” Then, crash. Rivers of oil gush out over three full-bleed wordless pages. Subsequent scenes show rocks, seabirds, and sea otters covered with oil. Finally, 30 years later, animals have returned to a cheerful scene. “But if you lift a rock… // oil / seeps / up.” For an adult reader, this is heartbreaking. How much more difficult might this be for an animal-loving child?

Like oil itself, this is a book that needs to be handled with special care. (author’s note, further reading) (Informational picture book. 9-12)

Pub Date: March 31, 2020

ISBN: 978-1-5344-3077-8

Page Count: 40

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Nov. 23, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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AMERICA'S FOUNDING MYTHS...AND WHAT REALLY HAPPENED

Playful, provocative, and packed with perspective.

Did Christopher Columbus really “discover” a new world? Did the Pilgrims invite the Wampanoag to a friendly First Thanksgiving? Is July 4 truly the nation’s birthday?

Readers familiar with traditional narratives of America’s founding are invited to interrogate those myths in this interactive exploration of early U.S. history. A strong introductory framework asks whose stories endure and whose have been erased from the history books, emphasizing that Indigenous peoples remain part of the present, not just the past. Each spread presents a common misconception, then asks readers to flip assumptions aside by lifting a partial gatefold that reveals the true story beneath. Well-sourced explanations elevate figures and communities often excluded from history books, including women, Black Americans, and Indigenous peoples. Bold colors, graphic-heavy layouts, and energetic illustrations that make creative use of historical photos and images break complex ideas into bite-size pieces that encourage browsing over linear reading. A timeline, speech bubbles, and lift-the-flap “True or False” quizzes reinforce the book’s core message: History is layered, debatable, and dynamic. Though the book’s busy, nonlinear design may prove challenging for some, on the whole it works very well as an engaging historical overview. The content assumes a foundational knowledge of early U.S. history, making it most suitable for older elementary readers, though some visual choices skew younger. Backmatter includes more historical information and background on the book’s creation.

Playful, provocative, and packed with perspective. (glossary, resources, photo credits) (Nonfiction. 9-11)

Pub Date: May 26, 2026

ISBN: 9798888599082

Page Count: 40

Publisher: Barefoot Books

Review Posted Online: Feb. 16, 2026

Kirkus Reviews Issue: March 15, 2026

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