On the whole, Mulgrew delivers another candid and moving memoir.
An award-winning actor’s account of returning to her hometown of Dubuque, Iowa, to care for parents diagnosed with devastating terminal illnesses.
Lonely, drained, and exhausted, Mulgrew (Born with Teeth, 2015), who has starred in Star Trek: Voyager and Orange Is the New Black, was on a theater tour in Florida when she first received word that her father, Tom, had lung cancer. Years earlier, she and her siblings had learned that their mother was suffering from atypical Alzheimer’s disease. Now, the girl she had left behind in Iowa “suddenly kicked, and swam hard for the surface,” wanting nothing more than to return home and help her parents. In this powerful memoir, Mulgrew pays homage to her mother and father, their deep, at times troubled union, and the intense bonds she shared with each. She dedicates the first half of the book to her father, a charming alcoholic tormented by the fact that he “wasn’t a loser but…wasn’t a winner, either.” The author’s relationship with him simmered with tension over the years, and when his wife, Joan, was diagnosed with Alzheimer’s, it was the author whom she named her health care guardian. In the second half of the book, Mulgrew tells the story of her mother. Though outwardly vibrant, Joan had been made inwardly fragile by the loss of her own mother at an early age. She married Tom, “who had wooed her with…tenacity” and promises of happiness, only to find mediocrity. His drinking drove her to take solo trips from home and temporary refuge in the arms of a handsome local priest. The author became her source of strength when death and disappointment marred her later life. Like Born with Teeth, this book is self-consciously literary and sometimes overwritten. Nonetheless, the narrative offers a rich, eloquent, and emotionally complex portrait of parent-child bonds and a colorful, unforgettable family.
On the whole, Mulgrew delivers another candid and moving memoir.Pub Date: May 21, 2019
ISBN: 978-0-06-284681-5
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 27, 2019
Kirkus Reviews Issue: March 15, 2019
BOOK REVIEW
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and...
A dense, absorbing investigation into the medical community's exploitation of a dying woman and her family's struggle to salvage truth and dignity decades later.
In a well-paced, vibrant narrative, Popular Science contributor and Culture Dish blogger Skloot (Creative Writing/Univ. of Memphis) demonstrates that for every human cell put under a microscope, a complex life story is inexorably attached, to which doctors, researchers and laboratories have often been woefully insensitive and unaccountable. In 1951, Henrietta Lacks, an African-American mother of five, was diagnosed with what proved to be a fatal form of cervical cancer. At Johns Hopkins, the doctors harvested cells from her cervix without her permission and distributed them to labs around the globe, where they were multiplied and used for a diverse array of treatments. Known as HeLa cells, they became one of the world's most ubiquitous sources for medical research of everything from hormones, steroids and vitamins to gene mapping, in vitro fertilization, even the polio vaccine—all without the knowledge, must less consent, of the Lacks family. Skloot spent a decade interviewing every relative of Lacks she could find, excavating difficult memories and long-simmering outrage that had lay dormant since their loved one's sorrowful demise. Equal parts intimate biography and brutal clinical reportage, Skloot's graceful narrative adeptly navigates the wrenching Lack family recollections and the sobering, overarching realities of poverty and pre–civil-rights racism. The author's style is matched by a methodical scientific rigor and manifest expertise in the field.
Skloot's meticulous, riveting account strikes a humanistic balance between sociological history, venerable portraiture and Petri dish politics.Pub Date: Feb. 9, 2010
ISBN: 978-1-4000-5217-2
Page Count: 320
Publisher: Crown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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