Two stories in Wheeler's impressive first collection take locus from her own experience as a (now disrobed) Buddhist nun in Burma—``Under the Roof'' and ``Ringworm''—and these have an unstrained shapeliness born of intimate knowledge. Here and in other stories, too, Wheeler's spiritual pilgrims aren't airheads, not particularly ``lost'' in the tangible world; nor do they set themselves up for the disappointments they meet. Just the right blend of realism (``Over here''—referring to India—``causality was cooked up in one's blind spot'') and ardor informs their religious dreams. But this is due less to the inherent subject matter of asceticism, gurus, and inner vows than to Wheeler's fine general knack for what the Russian formalists used to call ``making it strange.'' Her stories of an American girl's life growing up in South America—``Improving My Average,'' ``Urbino''—have the same spiky shifts of tone, and are thus allowed to seem more random and convincing than the ordinary culture-transplant story. Wheeler's wise eye and style—at times comparable to Mavis Gallant's in effect—are so sharp they sometimes get away from her (``If only I could have photographed the jellied chunk of time I spent under Miami Aiport, waiting for the rental agency's minibus. Concourses coiled overhead like the labyrinth of an enormous cement ear....The light, fibrillating green fluorescence was interrupted by slashes of void between which too tan women walked past toward imminent reunions...'')—but letting too little sneak by is no literary sin, especially in a debut collection. Strong, messy, frequently indelible work by a new talent.
Pub Date: Aug. 20, 1993
ISBN: 0-395-66515-9
Page Count: 244
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1993
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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