by Kate White ‧ RELEASE DATE: Feb. 23, 2010
Despite the menacing damsel-in-distress prologue, thriftily repeated verbatim in chapter 28, both the mystery and the killer...
White shelves hard-used series heroine Bailey Weggins (Lethally Blond, 2007, etc.), who could certainly use a break, to create just as much havoc for another New York professional who wants to have it all, except for the corpse.
Now that Lake Warren’s estranged husband Jack has contested the joint-custody arrangements for their two children, it looks as if work is her only solace. So she throws herself into her job as a freelance marketing expert for the Park Avenue Fertility Center with redoubled energy. Unfortunately, she also throws herself into the bed of Dr. Mark Keaton, the come-hither consultant who’s just announced his intention of joining the firm. Lake wonders briefly how her ill-advised fling will sit with Jack’s lawyer but gives no thought to the possible repercussions if Mark gets stabbed to death while she’s catching a post-coital snooze on his balcony. Was the killer a jealous lover (evidently the jungles of Gotham are full of those), a Park Avenue client who thought she’d been the target of a monstrous fraud, or a colleague who’d filched the key to Mark’s apartment from nurse Maggie Donohue? Lake will have to follow the trail while she’s looking over one shoulder at the increasingly curious police and over the other at someone who seems bent on terrorizing or killing her.
Despite the menacing damsel-in-distress prologue, thriftily repeated verbatim in chapter 28, both the mystery and the killer are too lightweight to vex your sleep. Job No. 1 here is multiplying suspicions, not resolving them.Pub Date: Feb. 23, 2010
ISBN: 978-0-06-157661-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 30, 2010
Kirkus Reviews Issue: Jan. 1, 2010
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by Andy Weir ‧ RELEASE DATE: Nov. 14, 2017
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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by Amy Lloyd ‧ RELEASE DATE: Feb. 6, 2018
A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.
A lonely British schoolteacher falls for an American man incarcerated for the murder of a young woman. What could possibly go wrong?
Samantha, 31, is still reeling from a bad breakup when she discovers Framing the Truth: The Murder of Holly Michaels, an 18-year-old true-crime documentary about the killing of a young girl by then-18-year-old Dennis Danson, aka the suspected Red River Killer, who’s still on death row in Florida’s Altoona Prison. Sam writes to Dennis, and soon they’re declaring their love for each other. Sam flies to the U.S. to meet him, and although they’re separated by plexiglass, she knows that she’s found the love of her life. The chirpy Carrie, who co-produced and directed the first documentary, is Sam’s guide while she’s there, and Sam accompanies her while they film a new series about Dennis, A Boy from Red River. Sam and Dennis quickly marry when new evidence comes to light and Dennis is exonerated and released. Amid a whirlwind of talk shows, celebrity attention, and the new series premiere, married life isn’t quite what Sam had hoped for: intimacy is nonexistent, the already self-loathing Sam feels unloved and unwanted, and the appearance of Dennis’ clingy childhood friend Lindsay Durst sends Sam into a jealous fit. After Dennis’ father dies, they move into Dennis’ childhood home, and Sam begins to suspect he may be hiding something. After all, what actually happened to all those other missing girls? Refreshingly, Lloyd seems absolutely unconcerned with whether or not her characters are likable, and although a few British sayings ("round," “in hospital”) make their way into the dialogue of the American characters, her research into the aftereffects of long incarceration is obvious, and her portrait of an emotionally damaged woman feels spot-on.
A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.Pub Date: Feb. 6, 2018
ISBN: 978-1-335-95240-0
Page Count: 320
Publisher: Hanover Square Press
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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