A tale about knowledge, power, and trust that reminds readers we used to speak with animals and still do—it already feels...
A berry-picking excursion turns potentially frightening when a girl wanders from her mother and encounters a wolf.
Despite her mother’s warning to stay close as night approaches, the girl finds herself lost in the woods and feeling “cold and scared.” In classic wolf-narrative style, a “tall grey wolf with big white teeth” appears, but unlike those in many traditional tales, this lupine offers help. Only by balancing experiential knowledge (identifying berries that are safe to eat) with instinctual trust (following the wolf’s guidance) can the girl hope to reunite with her family. Poetic descriptions and spare prose combine with simple yet textured mixed-media illustrations to create a story with a deeply cinematic quality. Readers will likely infer the girl and her mother are First Nations peoples due to illustrator Flett’s (Cree-Métis) visual cues of brown skin, black hair, and moccasins and through author Vermette’s (Métis) textual reference of tying tobacco in cloth to leave as a thank-you. Muted, earth-toned images give depth while allowing the girl to stand out in her red dress. Though similar to stories from the oral tradition or even the European canon, this is “a completely made-up story.” It’s got a worthy message for any reader to enjoy, and Indigenous and First Nations readers will especially connect with characters who nourish traditional ways of knowing while existing in an active, contemporary present.
A tale about knowledge, power, and trust that reminds readers we used to speak with animals and still do—it already feels like a classic. (author’s note) (Picture book. 3-5)Pub Date: Feb. 5, 2019
ISBN: 978-1-926886-54-1
Page Count: 32
Publisher: Theytus Books
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
Sure to have little ones giggling.
Jacques is a hedgehog with a big secret: “I wear real, bona fide underwear.”
Our narrator received a mysterious package one day; an illustration shows a pair of underwear tied to a balloon with a note “from the Universe” floating down into Jacques’ burrow. Hedgehogs don’t wear underwear, however. Will Jacques be shunned? Jacques worries but comes to a decision: “I have to wear them. When I do I feel special.” Determined, Jacques, who’s been invited to a party, makes a dramatic entrance, with undies in hand. Jacques’ declaration (“I WEAR UNDERWEAR”) is met with remarks of dismay, before another hedgehog opens up about similar fears and shows off a pair of cowboy boots. More hedgehogs introduce themselves with their own confessions. The story ends with Jacques unveiling a painting of the underwear in a gallery filled with hedgehogs wearing all sorts of attire. Though the book is simple in plot, characters, and setting, it wins in its balance of bathroom humor, dramatic storytelling, and celebrations of individual expression. French words are peppered throughout, adding to the fun without detracting from the story for those unfamiliar with the language. The cartoonish illustrations brim with fun; Valdez relies heavily on geometric shapes (triangle noses for the hedgehogs; huge circles for their eyes). Details such as speech bubbles and recurring turtle and snake characters contribute to the outlandish humor.
Sure to have little ones giggling. (Picture book. 3-5)Pub Date: April 1, 2025
ISBN: 9781250814388
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
A charmingly loud and lighthearted friendship story.
A freckle-faced white child with a mass of red curls piled three times the height of her head is flying her kite near a snowcapped mountaintop when—“snap!”—the string breaks, and the toy is blown into a sleeping bear’s cave, coming to rest on his belly.
Readers are cued into the nonscary absurdity as they observe the orange-furred bear napping in a Froggy Hollow Summer Camp T-shirt stretched across his huge belly, a tiny teddy bear tucked in his arm. As the girl reaches for her kite, the bear rolls over, crushing it: “crunch!” The girl is shocked into a fit of righteous anger, blaming the bear for breaking her toy. “HORRIBLE BEAR!”—and so begins the refrain of her angry tantrum. The team that brought readers the adorable Wolfie the Bunny (2014) continues their success here. OHora’s paintings are boldly colored and layered: a yellow stuffed bunny wears a teal jacket; the purple-and-black–clad little girl strides in red Converse high-top sneakers over a pea-green lawn. The limited language and solid acrylic paintings work together beautifully to convey emotion. When the little girl realizes that the bear didn’t break her toy on purpose, one word speaks volumes: “Oh.” Her face fills the entire page, her feelings indicated with black dot eyes, a couple of curved lines, and a black dot mouth.
A charmingly loud and lighthearted friendship story. (Picture book. 3-5)Pub Date: April 5, 2016
ISBN: 978-0-316-28283-3
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
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