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AFTER HE’S GONE

A familiar tale of gaslighting with a payoff as emotionally satisfying as it is unbelievable.

A woman’s horror at the murder of her husband is tempered by abject relief that he’s dead and compounded by fear that she may have been his killer.

It doesn’t take long for Abigail Taylor to sour on Charles Crenshaw Jr. Yes, he’s the handsome and attentive son of wealthy parents. But, as she realizes soon after their storybook courtship and wedding, he’s also selfish, narcissistic, sadistically domineering, unsupportive of the legal career she’d planned to complement his own, and indifferent to the welfare of both Abby and their baby daughter, Emma, whom he and his father, an attorney who lives in the exclusive enclave of Los Altos Hills, reject because she’s not a boy they can count on to carry on the family name. Abby’s misery is deepened by her discovery that Emma is deaf. Since Charles won’t think of trading in his Porsche or asking his father for $40,000 for the cochlear implants that might give Emma the ability to hear, Abby joins forces with her older sister, Ellen Stepanovich, to start a GoFundMe page in hopes of raising the money. Meantime, she’s suffered so many bouts of forgetfulness and so many blackouts that she fears she’s losing her mind. The stormy marriage ends with Abby’s discovery of her husband’s blood-drenched corpse. Is it possible that she could have killed him herself during one of those blackouts? Santa Cruz Det. Peter Rocher, who fights his superior in defense of his belief that Abby isn’t a self-made widow, cracks the case by the simple expedient of reading the journal Charles kept.

A familiar tale of gaslighting with a payoff as emotionally satisfying as it is unbelievable.

Pub Date: April 4, 2023

ISBN: 9781448310333

Page Count: 224

Publisher: Severn House

Review Posted Online: Jan. 24, 2023

Kirkus Reviews Issue: Feb. 15, 2023

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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HOW TO CHEAT YOUR OWN DEATH

Focus on people and places; leave the red herrings to someone else.

Perrin’s third Castle Knoll mystery moves to London, where Annie Adams investigates the murder of her mother’s protégé.

Acclaimed painter Laura Adams is known for her solitary ways. So Annie is perplexed, and a little piqued, to learn that her mother has taken art student Felicity Rowe under her wing, even allowing Fliss to share her Chelsea town house. Annie isn’t hard up for lodgings, since she inherited a fortune from her great-aunt Frances, but her concern over her mother’s new living arrangements brings her down from rural Dorset to assess the situation in person. That concern rises to the level of panic when Felicity turns up dead in a dumpster behind the house. Laura’s clearly hiding something, and to unravel the complex puzzle, Annie needs the help of her old friend, police Detective Rowan Crane. Felicity’s murder turns out to have roots in the decades-old death of socialite Vera Huntington, who partied with Frances in London’s jazz clubs back in the 1960s. Perrin handles the twin narratives deftly, giving careful attention to each and permitting their connection to develop richly. She allows the love interest in each story to follow their own peculiar trajectory. And she draws a vivid picture of London, both past and present. The solution to the puzzle, on the other hand, is easily foreseen and too long in coming. Perrin is at her considerable best when she concentrates on drawing sympathetic, believable characters facing tough emotional issues.

Focus on people and places; leave the red herrings to someone else.

Pub Date: April 28, 2026

ISBN: 9798217047505

Page Count: 336

Publisher: Dutton

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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