Writer and Episcopal priest Elberfeld offers this short but charming collection of quintessential Southern short stories (The Lady of the House, 2013).
Elberfeld’s eight short stories—set primarily in Georgia in the indefinite past (most likely early to mid-20th century)—differ in themes but share a distinct Dixie flavor. Most feature a dominant woman or, in the case of the first story, “Brotherly Love,” a domineering woman. The men are altogether absent or, if physically present, psychologically or otherwise troubled. “Cicadas” and the title entry focus on unhappy married women—throwbacks to another generation when wives stayed home—feeling helpless in their difficult relationships. In both cases, the women eventually abandon their marriages but in very different ways. Both “It’s a Blessing” and “The Boardinghouse Reach” include male characters whose lives are irrevocably impacted—and cut short—by accidents of birth. The devoted mothers who bore and subsequently mourn them elicit tremendous emotion. Bobby Lee, the funeral singer in “Ten Bucks,” is the lone male protagonist in the collection, but he, a disembodied vocalist who fantasizes about how he will spend his earnings while mourners suffer on the other side of a curtain, doesn’t emerge as a sympathetic character. Similarly, “Ten Bucks” is also the only story that emphasizes friendship over family. Despite the differences among stories, they are united by a memorable voice, unique and engaging while reminiscent of other great voices of Southern literature. Aside from the significant fact that the stories take place in the rural or small-town South, animating place details aren’t developed.
This delightful collection of short fiction sketches Southern life of the past.Pub Date: May 5, 2015
ISBN: 978-1-56474-572-9
Page Count: 96
Publisher: Daniel & Daniel Publishers
Review Posted Online: July 31, 2015
Review Program: Kirkus Indie
Categories: SHORT STORIES
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BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
Categories: SHORT STORIES
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SEEN & HEARD
IN THE NEWS
Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.
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A gathering of short stories by an ascended master of the form.
Best known for mega-bestselling horror yarns, King (Finders Keepers, 2015, etc.) has been writing short stories for a very long time, moving among genres and honing his craft. This gathering of 20 stories, about half previously published and half new, speaks to King’s considerable abilities as a writer of genre fiction who manages to expand and improve the genre as he works; certainly no one has invested ordinary reality and ordinary objects with as much creepiness as King, mostly things that move (cars, kid’s scooters, Ferris wheels). Some stories would not have been out of place in the pulp magazines of the 1940s and ’50s, with allowances for modern references (“Somewhere far off, a helicopter beats at the sky over the Gulf. The DEA looking for drug runners, the Judge supposes”). Pulpy though some stories are, the published pieces have noble pedigrees, having appeared in places such as Granta and The New Yorker. Many inhabit the same literary universe as Raymond Carver, whom King even name-checks in an extraordinarily clever tale of the multiple realities hidden in a simple Kindle device: “What else is there by Raymond Carver in the worlds of Ur? Is there one—or a dozen, or a thousand—where he quit smoking, lived to be 70, and wrote another half a dozen books?” Like Carver, King often populates his stories with blue-collar people who drink too much, worry about money, and mistrust everything and everyone: “Every time you see bright stuff, somebody turns on the rain machine. The bright stuff is never colorfast.” Best of all, lifting the curtain, King prefaces the stories with notes about how they came about (“This one had to be told, because I knew exactly what kind of language I wanted to use”). Those notes alone make this a must for aspiring writers.
Readers seeking a tale well told will take pleasure in King’s sometimes-scary, sometimes merely gloomy pages.Pub Date: Nov. 3, 2015
ISBN: 978-1-5011-1167-9
Page Count: 512
Publisher: Scribner
Review Posted Online: Aug. 17, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Categories: GENERAL THRILLER & SUSPENSE | THRILLER | SHORT STORIES | GENERAL & DOMESTIC THRILLER
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